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Query was: reflect

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Friedrich Nietzsche: Part 1.1: The Character
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  • active in Nietzsche's nature. He does not need first to reflect whether
  • life of feeling and reflection was completely different from that of
  • become, and subject to the spirit, as its mirror and reflection.
  • mere reflection of the inaccessible. One interprets the world known
  • has a firm, free swing. It is not confused by reflections as to whether
• Title: Friedrich Nietzsche: Part 1.2: The Superman
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  • itself in it directly. What appears to us in all our reflections
  • The World as Will and Reflection, Chapter 30)
  • spent in profound, silent reflection, with voluntary penitence and frightful,
  • all knowing is merely reflection, and something is always demanded of
  • in obedience, at the same time I live in the reflection
  • as an example, all sensual beauty is but a reflection of that infinite
  • it is, but only because it reflects the idea of the beautiful.
  • the real, he will not see any reflection of the divine or of the superearthy.
  • the aestheticism of the strong personality, which sees in art a reflection
  • reflection of the divine, a message from the beyond. The strong, on
• Title: Friedrich Nietzsche: Part 1.3: Nietzsche's Path of Development
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  • comes out of the life of reflection, and out of the awareness of will,
  • lies on the other side of the world of our reflections. For the reflection
  • form my reflections. I know no sun and no earth, but only an eye which
  • “The world which surrounds him is only there as reflection, that
  • is, absolutely in relation to something else: the reflected, which is
  • World as Will and Reflection, ¶ 1.)
  • not merely reflect the world, but is also active within
  • own acts twice: from within as reflection, and from outside
  • itself which appears in the perceived body motion as reflection. And
  • he asserts further that not only is the reflection of one's own body
  • all other reflections. The whole world then, in Schopenhauer's opinion,
  • as reflection. This will, Schopenhauer asserts, is uniform in all things.
  • own life of reflection; in essence he is identical with the uniform
  • of an art of representation and out of an art of willing. When the reflecting
  • human being idealizes his world of reflection and embodies his idealized
  • reflections in works of art, then the Apollonian art arises.
  • He lends the shine of the eternal to the individual objects of reflection,
  • standing within the world of reflection. The Dionysian artist
  • himself. The chorus is the self-reflection of a Dionysically
  • stimulation reflected through an Apollonian work of art. The presentation
  • Maximum number of matches per file exceeded.
• Title: Friedrich Nietzsche: Part 2: The Psychology of Friedrich Nietzsche as a Psychopathological Problem
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  • The world of reflection is not the real world; it is only a subjective
  • his willing. The art of reflection is the Apollonian, that of willing,
  • only in this way because in his isolation he lacked all reflection;
  • is only the tone of feeling in him, which is linked with his reflections.
  • reflections, the unmotivated manner in which certain thoughts make their
• Title: Friedrich Nietzsche: Part 3: Friedrich Nietzsche's Personality and Psychotherapy
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  • groundwork of his reflections. He alternately sounded all notes from
  • even exuberance of spirit, which the latter work reflects, is compatible
  • to thoughts about the struggle for existence through logical reflection,
  • way of reflection stands Goethe's point of view: “We must not interpret
  • completely. Later, in this ego appears a way of reflection which is
• Title: Friedrich Nietzsche: Introduction: Friedrich Nietzsche and Rudolf Steiner
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  • my own soul were reflected with dreadful faithfulness. The dull, disinterested
  • was reflected in methods for the treatment and care of retarded children
  • he gave a lecture which reflected his keen interest in the question of
• Title: Friedrich Nietzsche: Part 1: Preface to the First Edition (1895)
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  • impelled to draw a picture of Nietzsche's life of reflection and feeling.