Searching Rudolf Steiner Lectures by GA number (GA0102)
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- Title: Festivals/Easter: Lecture VI: Easter: The Mystery of the Future
- senses, in order to receive the impressions coming from the material
- sense-impressions. Such is the life of day. At night, the Ego and
- and astral body have passed out of them and all the impressions of the
- colour-forms and tones, with impressions of smell, taste and so forth.
- But these colours and tones, these impressions of warmth and cold of
- gradually developed. The impressions received by man during the night
- to receive impressions from the astral body, and it was these
- impressions that were perceived by the old, dreamlike clairvoyance.
- after the appropriate impressions had been received by the astral
- impressions issuing from the astral body into this released etheric
- from receiving the impressions of the spiritual world in the
- Title: Influence of Spiritual Beings Upon Man: Lecture I
- — even in the beholding — one had the impression of how
- impressions there slip into man at the same time these Saturn spirits
- Title: Influence of Spiritual Beings Upon Man: Lecture IV
- came the first impression and influence of the beings who little by
- Title: Influence of Spiritual Beings Upon Man: Lecture VI
- of our Earth's mission — the impressing of Love — was
- Title: Influence of Spiritual Beings Upon Man: Lecture VIII
- human wisdom is inter-woven and impressed into the whole earth. But
- Title: Influence of Spiritual Beings Upon Man: Lecture X
- through the impress of the astral body, were added those organs which
- were given him by the impressions of daily life. This all-night activity
- The enlightened materialist can at any rate see that an impression is
- through sense impressions, through smell, taste, sight, and so on. All
- Title: Influence of Spiritual Beings Upon Man: Lecture XI
- impressions which he receives from morning to evening — only think
- of the impressions from the din and rattle of a great city — these
- impressions of the day. What in a comprehensive sense we call man's
- perceived by the true sculptor and he impresses it into the living figure.
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