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  • Title: Colour: Part One: Colour-Experience (Erlebnis)
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    • the plant. We do not feel it as a necessity that certain animals which
    • the plant is the being of life. The animal possesses a soul;
    • being of which life is the special characteristic. The animal has, in
    • to the soul, a spirit. We cannot say of man, of the animal or of the
    • peach-blossom-like flesh-colour of man. In the case of animals we do
    • not find a colour as innate to the animal as green is to the plant and
    • plant, animal and spiritual kingdom — in as far as man is the
  • Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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    • And now you will find that we can ascend again to the Animal Kingdom.
    • If you want to paint a landscape in which the Animal Kingdom is
    • introduce animals into your landscape, you must paint their colour
    • light. Suppose you were painting red animals — rather a rare
    • and everywhere where you had the animal and the vegetation together,
    • then you get the possibility of painting the animal nature, otherwise
    • If we paint creatures with souls and even animals, we must paint the
    • Soul-animal:
  • Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
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    • transformed, giving rise to the mineral, the vegetable, the animal and
  • Title: Colour: Part Two: Dimension, Number and Weight
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    • three conditions. Animals live in an essentially different
    • On the other hand, animals do not have the complete wakefulness of man
    • between awaking and going to sleep. Animal “wakefulness” is
    • somewhat like human dream; but the experiences of the higher animals
    • are more definite. On the other hand, animals are never so deeply
    • Therefore animals do not differentiate themselves from their
    • world, as man has. The higher animals,
    • (Dr. Steiner means by higher animals, the warm-blooded
    • When an animal sees a plant, his first feeling is not: that is
    • animal gets a strong inner experience from the plant, a direct
    • impulses and behaviour of animals that it is as I have said.
    • and plants and animal; but in sleep he is with all that is spiritual
  • Title: Colour: Part Three: The Creative World of Colour
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    • raises himself from this sea of colour with his ego; the animal-world
    • is still deep in it, and the fact that an animal has feathers or hair
    • of this or that colour, is connected with the animal's soul-relation
    • with this flowing sea of colour. An animal regards objects with its
    • body whatever forces there are in the group-souls of animals. It is
    • nonsense to believe that even the higher animals see the world as man
    • are very ghostly beings to the higher animals. If they could talk a
    • to animals at all to regard man as a similar being to themselves, but
    • into animals because of their peculiar connection between astral body
    • animals, the whole of their organization is such that the directly
    • feathers or wool and colours the animal. I have already expressed my



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