Searching Rudolf Steiner Lectures by GA number (GA0291)
You may select a new search term and repeat your search.
Searches are not case sensitive, and you can use
in your queries.
Query was: face
Here are the matching lines in their respective documents.
Select one of the highlighted words in the matching lines below
to jump to that point in the document.
- Title: Colour: Part One: Colour-Experience (Erlebnis)
- according to the surface of the objects presenting themselves to us as
- Suppose we colour a flat surface green. We shall only sketch this
- Let us picture three. We have before us three green surfaces. Into the
- Suppose we really wish to produce the sensation of a green surface in
- red faces and red skin, or whether we paint them entirely red, is
- flesh-colour — and on the third green surface we paint blue figures.
- it. It must be caught and reflected. Colour is on the surface of
- white, light and shade on a surface — we shall return to this
- later — then, by drawing with black on a white surface we bring
- spirit into the white surface by means of the black strokes; in the
- black surface the white is spiritualized. The spirit can be brought
- Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
- to us if we paint a surface green and give is a circumscribed area.
- yellow, if we make here a yellow surface. Yes, you see, a defined
- surface of yellow is something disagreeable; it is ultimately
- yellow surface which is limited and defined in extent. So we must make
- other hand. Imagine a surface covered equally with blue. One can
- equal blue surfaces, he summons, as it were, something
- as such, because of its own nature, does not permit a smooth surface.
- longing o the soul in face of colours. And these are fulfilled; that
- completely as a surface. We understand it best if we differentiate it
- disappeared. The red remains, but its effect is one of surface. It
- peach-coloured surface with lumps in it! It would be awful. It would
- want to have it as an even surface, which, however, is unlimited. With
- show their surfaces outwards, they shine or glisten.
- on a white surface; if you look away quickly, you see green as the
- after-image, and the same surface as a green after-image. The image of
- if you want to have a smooth, even yellow surface somewhere. What does
- off outwards. If we want to retain it on an evenly-coloured surface, it
- body's surface; it is also that which raises man from the material and
- Title: Colour: Part One: The Phenomenon of Colour in Material Nature
- attached to anything, or at the most, to the surface. Only on the
- surface does the fluid matter tend to become solid. And so, if we look
- darker than they really are. You must make a green surface, in any
- canvas, or any other surface, something that gives you the impression
- What are in fact the media of painting? You have the surface, canvas
- or paper or what not, and on the surface you have to fix in pictorial
- on his surface the glow of the light which he has to paint on it. If
- inanimate objects, that in a way his surface is transparent and emits
- colour, in conjuring the colour on to the surface, we must give the
- surface, for then we shall never be able to evoke the inner light in
- proceed from it. Therefore, when I put it on the surface, I must make
- thus come to the one green surface colour, and to the surface colours
- the origin of what lies hidden under the surface of minerals. That is
- the essential thing. The surface of the earth admits of an easier
- This is the reason why, when we apply the lifeless paint to a surface
- we must, as it were, get the light behind the surface, we must
- spiritualize the surface and create a secret inner radiance. I mean,
- behind the surface on which we paint the picture, so that the
- beings; we treat them as images. This means we paint the surface
- anyhow and try somehow to find a reason for it. The yellow surface
- Maximum number of matches per file exceeded.
- Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
- that which pertains to Nature. On this point modern humanity faces a
- intelligent things will be found, but we do not stand face to face
- Title: Colour: Part Two: Dimension, Number and Weight
- happens when we face the world in a perfectly normal condition of
- explains it, that the colour appears there on the surface by means of
- Title: Colour: Part Three: The Creative World of Colour
- modern city. Well, my dear friends, he is not faced with something
- that moves his soul, something that echoes inwardly, but he is faced
- colour is on the surface, and there is nothing else but surface-colour,
- faced in the near or distant future, we can be reassured by the living
- Title: Colour: Part Three: Artistic and Moral Experience
- We will take the case when we direct our gaze to a surface evenly
- understand a little of how the colour-surface becomes something we have
- surface, only with a more orange colour. We shall have quite different
- experiences with it. If we sink ourselves in the orange surface and
- inner nature of things. And if it is a yellow surface, and we do the
- by then trying to dive down into it — as if green were the surface
- And if one did the same with a blue surface, one would go through the
- Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
- in space, the riddle of space must be solved on a surface.
- peach-colour are images, that is, self-contained surfaces, which give
- to the surface something of a shadowy nature.
- need for the surface to shine in these colours, so that the radiation
- of the red comes forth from the surface to meet us, or that the
- the yellow shines out form the surface towards us.
- the luster of the psychic. When we paint a surface blue, we are
- the natural element in painting. For the surface belongs also to the
- fact that the painter's material is the surface. And the surface can
- It is ignored when one has what is qualitative one the surface as the
- Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
- real nature is only the neutral surface on generally regards it?
Rudolf Steiner Archive is maintained by: