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Searching Rudolf Steiner Lectures by GA number (GA0291)
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    Query was: fact
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Colour: Part One: Colour-Experience (Erlebnis)
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    • bullocks and buffaloes, but not billiard balls in actual fact.
    • fact that it has an etheric body in addition to its physical body. It
    • the image. Thus we remain entirely within the world of objective fact
    • What underlies this fact? In light we have what is represented in
  • Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
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    • not quiescent — they would vibrate, as it were. In fact, it is the
    • movement and from that fact arises this colour of which we are
    • And if you hem in the yellow, it is in fact as if you laughed at it.
    • You always see the human factor in it, which has bounded the yellow.
    • Of course, as soon as we touch upon art, a factor comes in which
    • on fact. We may say that we have in black, white, green and
  • Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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    • flowers to the sunlight, in fact hide themselves, curl up, etc. And we
    • fact a product of the last three or four centuries. If you take this
    • What are in fact the media of painting? You have the surface, canvas
    • can do it; in fact, one can put directly upon paper or canvas only
    • of the Cosmos in the coloured mineral bodies. This is, in fact, exactly
    • essence. This is in fact the process which must be adopted for the
    • and in fact paint so dark that we deviate from the natural colour. We
    • present the image-character, in fact, by painting rather darker, and
    • penetrates in fact the whole nature of colour — also in so far as
    • Thus you see how in fact it is possible to paint from the colour
  • Title: Colour: Part Two: Thought and Will as Light and Darkness
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    • and is shown by the fact that Schopenhauer has a particular preference
    • whole man. One can in actual fact comprehend the past in plum blossom,
    • spectrum if you bent this colour-strip into a circle. In actual fact
    • I mention this last only to call your attention to the fact that a
  • Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
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    • certainly people who acknowledge both views, in spite of the fact that
    • evildoers are punished, and so on. This fact, that today there are
    • perception of it doesn't alter the fact. What is for the moment
    • psychically sensible of weight, of the fact of weight; weight is, as
    • make use of the senses. The main fact is the crippling of the will.
    • fact of the will. And the will ceases in man himself when he is
    • antitheses in the Cosmos. In fact, light and weight are cosmic
    • experience according to dimension, weight and number, whereas in fact
    • again, describe in fact lines which do not return at all. Why? Because
  • Title: Colour: Part Two: Dimension, Number and Weight
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    • have a disposition for beauty is due to the fact that we are able to
    • have to return to that. In fact one sees today only what can be
    • It is a fact that Art must collapse under the physical philosophy of
    • circumstances one sees the highest satisfaction in that explosion into
  • Title: Colour: Part Three: The Creative World of Colour
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    • For what does Herman Grimm consider as the most important fact about
    • which revels in the fact that the soul can unfold in itself a higher
    • is still deep in it, and the fact that an animal has feathers or hair
    • the possibility of being clear about a fact which is indeed
    • will find the possibility of being clear about a fact which is indeed
  • Title: Colour: Part Three: Artistic and Moral Experience
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    • spirits. That was in fact the beginning of all art. Then the
  • Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
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    • It was in the materialistic age — a fact often
    • fact that the painter's material is the surface. And the surface can
  • Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
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    • It is in fact sometimes difficult to explain to modern people what a
    • did in actual fact exist. When one spoke of the element of warmth one
    • something of this kind in the Cosmos. And only by reason of the fact
    • fact the entry of light, and its shadow, air. And where that happens
    • of the spiritual. It reveals in fact something like a spiritual waltz.



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