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Searching Rudolf Steiner Lectures by GA number (GA0291)
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  • Title: Colour: Part One: Colour-Experience (Erlebnis)
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    • given us from the whole wide, varied world of colour. Then in order to
    • the first place, and in it we paint red figures. Whether we give them
    • body is not itself green. The element which gives the plant its
    • “I.” Nevertheless, the light gives us something of our own
    • spiritual. I ascent through the realities; but Nature gives me only
    • it; but it is not a matter of indifference that, if the living gives
  • Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
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    • speak, the receiver and the give, between that in which the picture is
    • to us if we paint a surface green and give is a circumscribed area.
    • and give the green a sharp outline; if he thinks: now I am painting
    • and black, pierced by rays of red give peach-colour. If you take the
    • blue, red give a nuance to the other colours; yellow and blue tinge
    • white to green, red gives peach colour when it shines into the combined
    • something that has a dynamic character, that itself gives character.
    • yellow which gives it weight, so that it becomes gilded. There you
    • background to a picture, but you have given weight to the yellow,
    • to have the spirit here on earth. They had to give it weight,
  • Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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    • image and give it in painting an image-character. But if you give
    • give a real impression of life, you have to paint the plants
    • canvas, or any other surface, something that gives you the impression
    • So what must you do? You must try to give the image when you are
    • You have to give the colours that have image-character, black, white,
    • of the image-character they have, and give them luster-character;
    • colour, in conjuring the colour on to the surface, we must give the
    • mineral proceed to give light inwardly? If we have the coloured
    • painting gives us organically the impression of the essential, not
    • Recall the scheme which I have given you, in which I said: black is
    • it will always give the impression of inanimate representation. So
  • Title: Colour: Part Two: Thought and Will as Light and Darkness
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    • surveyed from the point of view which is given by Spiritual Science.
  • Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
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    • This second world, if one recognizes the first as given only to
    • science, would be given only to faith. This faith, again indulges in
  • Title: Colour: Part Two: Dimension, Number and Weight
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    • given — the rainbow is an optical illusion. Physicists look upon
    • And you see, this relationship of man to sleep gives the earthly
    • must necessarily give himself up in dream in order to experience this
    • free movement and life, whereas when one gives oneself up to freedom,
  • Title: Colour: Part Three: The Creative World of Colour
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    • his activity or give you his life-story, but I want you to note that
    • thus differing from form, which gives us, for example, distance. But
    • colour gives us more than distance, and that an artist like Hildebrandt
    • conceived it would mean the death of living feeling, which gives the
  • Title: Colour: Part Three: Artistic and Moral Experience
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    • experience, this living in the orange forces, gives us the impression
    • is shattering us. So that orange gives us something strengthening, and
  • Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
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    • and black give one the desire to have an enclosed image. One wants to
    • peach-colour are images, that is, self-contained surfaces, which give
    • from outer phenomena and remain, as it were, sealed. This give the
  • Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
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    • acted through rapture — forgive my saying so, but it was so — as
    • element into the consciousness gives one an idea of the inner life of
    • certain circumstances, gives rise to deep shadow, so, if colour is



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