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  • Title: Colour: Part One: Colour-Experience (Erlebnis)
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    • has to do with some kind of ether in motion. Yet when people speak of
    • impression and then to invent some kind of undulations which are then
    • on we shall consider the kind of colour which we may call the white of
  • Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
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    • I must also paint by giving the blue a kind of crust: then he lives in
    • again to a lustrous colour of an opposite kind to the former, we come
    • Thus we get these three colour-natures of quite different kinds. They
  • Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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    • And here we have to ask ourselves the question: What kind of starry
    • that time in which materialism and intellectualism grip mankind, in
    • his mental make-up the idea, that a kind of illumination underlies
  • Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
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    • meaning, just because it is only a kind of foam-bubble. The only
    • kinds of ideas or conceptions and theories of the world, but it does
    • for a man to say: There is a kind of compensation, for Nature itself
    • to represent light at best as a kind of swinging away, as a shooting
    • birth, at the midnight hour of existence, there arises a kind of
    • Jupiter, who also radiates a weight of such a kind as to add something
  • Title: Colour: Part Two: Dimension, Number and Weight
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    • definite kind, it demands — let us say — some three or five
    • others, according to its kind. It has always an inner relationship to
    • dimension, number and weight, but of an opposite kind.
    • described any other kind of man; if they did not notice that they
    • mankind simply was not conscious that everything had to be defined
    • Moreover, mankind today can scarcely understand anything of the way in
    • world-philosophy no longer existed among mankind. If one had wanted to
    • Art mankind sits between two stools on the ground, between the Icon
    • mankind waking up. It is this we ought to take up — this impulse to
    • But the Relativists, before that, will see to it that mankind has no
  • Title: Colour: Part Three: The Creative World of Colour
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    • has aid that mankind would not realize the full importance of Goethe
    • Art-development of mankind. And precisely for this reason is it
    • necessary — if only in primitive beginnings — that a kind of
    • is it necessary, therefore, that all sorts and kinds of expression in
    • everywhere some kind of connection between it and what was alive in
    • artist became a kind of cultural hermit who was really dependent only
    • relationship of mankind to Art began which exists at present. One may
    • Vibrations of the most abstract kind in the material of the ether,
    • perceive man as a kind of angel. What the horse sees in man is quite
    • perhaps even with a kind of longing.
    • instance, of this kind, one is quite unable to conceive the
    • So you have here a kind of colour-game. You experience something, when
    • long enough to solve all kinds of enigmas in Nature, and to reproduce
    • what is dead and decaying in the future of mankind.
    • another way if mankind once realized what our spiritual science means
  • Title: Colour: Part Three: Artistic and Moral Experience
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    • appreciation in the past epoch was a kind of external observation, an
    • In this respect mankind will make important discoveries in the future;
    • Here we shall have to indicate faintly a kind of rose-violet streaming
    • kind; when the experience preparatory to artistic creation will be
  • Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
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    • and some silicic acid. There are all kinds of substances which are
    • Now let us look at the green, since in a way we have in it a kind of
  • Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
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    • something of this kind in the Cosmos. And only by reason of the fact
    • beings exist in this watery element which are really a kind of copy of
    • scholar as an unusual kind of being. They spoke of primeval man before
    • abstract, and shadowy. All the same it is the kind of thought in which



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