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- Title: Colour: Part One: Colour-Experience (Erlebnis)
- thus presented to our soul.
- before the soul in order to bring a complex of sensation into
- the plant is the being of life. The animal possesses a soul;
- man has both spirit and soul. The mineral has no life. The plant is a
- addition, a soul. The mineral has as yet no soul. Man has, in addition
- to the soul, a spirit. We cannot say of man, of the animal or of the
- If a man really tries to imagine himself inwardly ensouled, and thinks
- of this ensouling as passing into his physical bodily form, he can
- imagine that in some way that which ensouls him flows into this form.
- He expresses himself by pouring his soul-nature into his form in the
- in whom the psychic nature is withdrawn somewhat and does not ensoul
- know the peculiar green of the complexion when the soul is withdrawn;
- fresh flesh-colour, you will see that the soul experiences itself in
- flesh-colour we have before us the image of the soul, really the image
- of the soul. If, however, we go far into the world around, we must
- painting. It is the image of the soul-nature, but it is not the soul
- the soul. The soul experiences itself in flesh-colour. It is not
- lifeless like the green of the plant, for if a man withdraws his soul
- image of the soul.
- must experience itself in the soul; this it does when it feels itself
- Maximum number of matches per file exceeded.
- Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
- intolerable for someone with artistic feeling. The soul cannot bear a
- longing o the soul in face of colours. And these are fulfilled; that
- his colour and paints in his picture what the soul really must want if
- What happens when you let the red really influence your soul? You say,
- brought before the soul. We cannot make such a distinction in the
- vitality of soul. We are therefore more attuned to the ego through
- in it; if we feel that our bodies are the dwelling-place of our souls
- Title: Colour: Part One: The Phenomenon of Colour in Material Nature
- three or four centuries has man reached a state of soul which enables
- If we paint creatures with souls and even animals, we must paint the
- colour. My soul must live with colour. I must rejoice with yellow, feel
- at all without first lifting it into the region of the soul. For it is
- Title: Colour: Part Two: Thought and Will as Light and Darkness
- penetrate into such things. Your thought and whole soul-life will
- Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
- the moral or the soul, and on the other hand, to see, in the soul,
- the thought: Surely everything moral that arises in the human soul
- many people whose souls are influenced by both the one and the other
- soul, for, if there were, the same soul could not simply assume on the
- You see, we get here a philosophy of the world in which the soul
- our soul, and in a sense is revealed to our soul as the world that we
- what in long ages past beings formulated in their souls: we have to
- planted in their souls the feeling of gratitude towards the far-off
- which I mean that we are souls and not scales — we become
- instance, is something which transfers the weight to the soul within.
- But it is a super-sensible primeval phenomenon. Asleep, the soul lives
- body is heavy; this force transfers itself to the soul: the soul lives
- What makes the will active? This: that the soul feels weight through
- the body. This combined life with the soul produces in earthly man the
- man is bound to the earth, because his soul, having lived a time in
- influences him also, and implants activity in his soul, which is
- the next life from birth to death. The soul has reached the stage of
- of the soul. We are seeking, again, in looking out into universal
- seeds of will. All this streams through the souls moving in space. We
- Title: Colour: Part Two: Dimension, Number and Weight
- through our soul's presence with them.
- of course, with the memory, with the inner soul-life, with what
- with the soul-constitution of dreaming, then you see chaos. And the
- tradition was no longer alive inwardly in the soul. Now one must take
- Title: Colour: Part Three: The Creative World of Colour
- For it leads to the situation that the soul which is confined to this
- and less the other soul which is specialized in another direction. And
- specialist and soul particularly strikes us when we consider the
- which revels in the fact that the soul can unfold in itself a higher
- at least in our own souls rightly.
- look into his soul, and at an artistic longing there, we can in a way
- men's souls, and surrounded them. When Raphael painted Madonnas, there
- lived in human hearts and souls the understanding for a Madonna,
- and — be it said in the noblest sense — out of the people's soul
- Dante led the human soul into spiritual realms, he needed only to take
- human soul. One might say these artists had some substance in their
- own souls which was present in the general culture. If one picks up
- all souls, even in the lowest circles. The educated people of those
- that moves his soul, something that echoes inwardly, but he is faced
- lost that living element in the soul which finds that substantiality
- of this or that colour, is connected with the animal's soul-relation
- body whatever forces there are in the group-souls of animals. It is
- and group-soul. And just as we look at an object which rouses our
- our souls the manner in which red, for example, or blue flows; if
- colour. The point is we must know how to surrender our whole soul to
- Maximum number of matches per file exceeded.
- Title: Colour: Part Three: Artistic and Moral Experience
- experienced in the human soul much more intensively than before, when
- colours and sounds will be much more intimately felt in the soul, when,
- the soul, and when in the creations of the artists we shall meet the
- traces of their souls' experiences in the Cosmos.
- sense-perception. An endless deepening of the human soul can be
- colour in this world, your innermost soul has become colour. Wherever
- you go in the world, your soul will be filled with red, everywhere you
- experience this in intensive soul-life, unless the feeling is
- soul would become in all-embracing “illimitable” space. Then
- when the reaction comes, when something rises in our soul one can only
- divine wrath with all that can lie in the soul as the possibility of
- into the fleeing red. We shall then be taking part with our whole soul
- in a self-forming of colour, and with our whole soul shall feel an echo
- artistically, how something appears before our soul when it attempts
- the souls of men and instigate them to artistic production. The
- the soul and made it passive. Souls must be taken hold of and
- Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
- health of man which is really endowed by the soul. And we feel that
- when the colour of the skin becomes green, the man is ill and soul
- the soul occupies the physical body too markedly in an egoistical way,
- person the living image of the soul.
- life, peach and flesh-colour as the living image of the soul, white as
- Peach and flesh-colour = living image of the soul. I stopped at the
- soul. White = the psychic image of the spirit. I stopped at the soul
- And if one has this artistic experience, death, life, soul and spirit
- spirit and soul as they appear in the world.
- intensively — that is to our soul — it will shine yellow. Yellow
- If the soul desires to remain truly inward and this state is to be
- expressed artistically in colour, then the soul will withdraw itself
- soft luminosity of blue, which is thus the luster of the soul.
- of colour, one becomes a painter, who paints with his inner soul, for
- occur to use to paint the soul element in a picture otherwise than by
- Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
- enraptured. And this rapture of the soul — which was experienced
- put before your souls. In the time of Aristotle one still
- life, but they exist all the same. The spiritual, the soul, does not
- soul, the effect of colour iridescence. The iridescence of colour,
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