Searching Rudolf Steiner Lectures by GA number (GA0059)
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- Title: Metaporphoses/Soul Two: Lecture 1: Spiritual Science and Language
- we consider the amount which the human being can transform, artistically
- The larynx, sculpted from outside into us as this wonderful artistic
- artistic impression
- creation. Just as we cannot demand that the imitation of the artist
- way similar to the picture, to the way that the artist as such imitates
- previously an artist was at work. This in itself is put rather in the form of
- grasped with artistic feeling.
- of these things has been given. But if one knows that an artist who formed
- languages the artistic element was at work in all sorts of differing ways.
- cannot be understood in any other way than in an artistic sense, which must
- artist expresses by other means paint, sound, etc. Creative feeling alone can
- comprehend the artist, and a creative feeling for language alone can
- language originated from an inner pre-human artist, then we can also elevate
- we want to express it. We have to re-awaken the linguistic artist in us in all
- artistic feeling for language is necessary to express anything? If true
- I am dealing with artistically formed reflected images; and then I
- round the topic as it were, we are presenting an artistic image of the
- Title: Metaporphoses/Soul Two: Lecture 2: Laughing and Weeping
- artistic creations they come before our souls.
- experiences can lead to an understanding of the greatest facts. Artistic
- Title: Metaporphoses/Soul Two: Lecture 5: Sickness and Healing
- the seer is also artist. Today there is little feeling left for these things
- Title: Metaporphoses/Soul Two: Lecture 8: Human Conscience
- “Artistic consciousness acquired an aesthetic conscience.” His
- All the artistic
- an aesthetic conscience had found its way into the artistic and literary life
- nature and significance of artistic work were intended to be placed beyond
- Title: Metaporphoses/Soul Two: Lecture 9: The Mission of Art
- far apart from the aims of artistic work. A widely prevalent belief today is
- experiment, whereas artistic work follows the spontaneous promptings of the
- the realm of artistic creation have always felt that true art should flow
- thing is certain: the ancient artists had as much knowledge of Nature, and as
- could discern that the great artists who had created works of art of this
- of artistic creation, many similar indications of the inner relationships
- that truly artistic personalities attribute to art a mission of this kind,
- we see how progress in artistic creation does indeed occur among men.
- line with the continued advance in artistic creation that Goethe should have
- artistic consciousness advance with great strides through the world and in
- great artists can be justified in feeling that reflections of the spiritual
- the old artists: “There is necessity, there is God!” They bring
- consciousness can never reach. The great artists have felt that they are
- can agree with words spoken by a poet who felt himself to be an artist:
- poets and other artists we find agreement with the thought that the spiritual
- foundations of human existence find utterance in art: or there are artists
- world. And so, even when artists are most personal in expression, they feel
- Title: Lecture: Spiritual Science and Speech
- man is to-day able to mould his external being artistically from out
- the other instruments of speech has been elaborated artistically out
- certain epoch was able to mould in man the highly artistic organ of
- of the air. Their plastic, artistic impression has been worked into
- artistic activity. We cannot demand that speech shall be an exact
- the artist's imitation shall correspond to reality. Speech only
- reproduces the external, in the sense in which the artist's picture
- sense, an artist, working as the spirit of speech, was active. This
- underlying this activity of man, must be conceived in an artistic
- bare outline. But when we know that an Artist, who moulds speech, is
- single languages may be, artistic power has been at work in them all.
- be understood with the artistic sense which must first have been
- recreate what the ‘artist of speech’ has moulded in man
- before the Ego was able to work within him. Only the artistic sense
- can understand the mysteries of speech; the artistic sense alone can
- what the artist has expressed with other media, — colour, tone,
- and so on, — can shed light on a work of art. Artistic feeling
- alone can understand the artist; artists of speech alone can
- prehuman artist, we shall also realise that when we want to speak or
- this artistic sense must be allowed to come into play. There is not
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