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- Title: Metaporphoses/Soul Two: Lecture 1: Spiritual Science and Language
- sentient soul as inner mirror-image, as it were, of the sentient body. Whilst
- imagery, symbolism, and
- they work more symbolically, in the image, rather like a dream works. A dream
- over of the chair — is transformed into an image in the dream, into the
- object; and our vowels and consonants are nothing but images and imitations
- the image in the ether body, what we might call symbolism. The first elements
- impressions only symbolically as image: we are no longer merely imitators.
- sound or word image and is now transformed further by the infusion of the
- is imitated. The inner sound image or the creation of the symbol is the next
- the images and symbols connected with the ether body are transfused by the
- an image, but it expresses the truth in this field. We observe an unconscious
- I am dealing with artistically formed reflected images; and then I
- round the topic as it were, we are presenting an artistic image of the
- Title: Metaporphoses/Soul Two: Lecture 3: What is Mysticism?
- their source. His soul retains conceptual images of the outer world, and
- him as a repetition, a reflected image, of outer life.
- from the outer world, to obliterate all impressions and conceptual images
- once we have obliterated the impressions and conceptual images of the outer
- endlessly attractive to study him in so far as the universal human image is
- feelings and images that the teacher can evoke in the pupil's mind and
- opened his soul to all the feelings and images which can make the Rose Cross
- had to do in order to call up the image of the black cross as a symbol of
- Title: Metaporphoses/Soul Two: Lecture 4: The Nature of Prayer
- prayer are expressed better in images than in ideas. We can think, for
- Title: Metaporphoses/Soul Two: Lecture 5: Sickness and Healing
- pleasure and pain, joy and sorrow, of all the emotions, images, thoughts and
- pleasure and pain, feelings, images, etc. We see how at night these
- like an echo or a mirror-image. The physical body and the ether body reflect
- from the astral body and the ego in the same way as the image which we see in
- of an image we see indications of these significant foundations of human
- to these depths of human soul-life in his image of Penelope and her suitors.
- Then the moment arrives when this purely spiritual archetypal image has been
- ether bodies what he has woven into the archetypal image; the archetype is
- Title: Metaporphoses/Soul Two: Lecture 6: Positive and Negative Man
- world. Its conceptual images and ideas are no longer there only to control
- Title: Metaporphoses/Soul Two: Lecture 7: Error and Mental Disorder
- mental disorder are spoken of, images of deepest human suffering arise in
- every person's soul, and images, too, of deepest human sympathy. And
- was possible that during the conversation the image of first the illustrated
- called forth in the subconscious of the philosopher the image of Napoleon
- Paris. And now the image of another man appeared before him who also had a
- Van Dyke beard, the image of Victor Emanuel of Italy; and this image led via
- he had in his purse and, further, the image of the five marks which had then
- been given to him as change. He recalled these two images and was now able to
- ideas; it produces the image of the illustrated work about Paris and the
- image of the photograph album of Rome. In the second case we see how the soul
- that the haphazard images surface as if on a different level of
- explains why the images occur haphazardly in the first case, whilst in the
- images in the first place? The philosopher fails to answer that. Those who
- did not have the strength to control the resultant sequence of images so that
- uninteresting conversation. This gives an indication how such images occur in
- other. But in the sentient soul the hardly noticed images follow one another:
- standing in front of him. The images of the illustrated work on Paris and the
- present, too, beside the compulsive images which appear because of the
- image of the snake biting its own tail. Those who used this symbol understood
- that they were observing themselves, as it were, in the image before
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- Title: Metaporphoses/Soul Two: Lecture 8: Human Conscience
- images of the inward promptings of conscience — somewhat as in
- Title: Metaporphoses/Soul Two: Lecture 9: The Mission of Art
- The divine powers, as they were seen at the time in the images which we have
- Title: Lecture: Spiritual Science and Speech
- most faithful image of external objects. Anything that does not
- transformed in the dream into a sense image, the shot. The spiritual
- in a symbolical sense, as sense-imagery, to the outer impressions.
- transformed into sense images by the insertion of vowels. All words
- related to the external world, as sense images.
- question of artistic imagery. Then I will describe it from the other
- language are really artistic imagery. If this is not realised, we
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