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Searching Rudolf Steiner Lectures by GA number (GA0059)
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Metaporphoses/Soul Two: Lecture 1: Spiritual Science and Language
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    • pain, joy and sorrow, of instincts, desires and passions; this is just as
    • the bearer of pain and pleasure, of joy and sorrow, of all the surging power
    • producing them as sound in the same way that a painter imitates a scene which
    • consists of quite different constituents than paint, canvas, light and dark.
    • Similar to the painter who imitates with light and dark we imitate the
    • internal experiences flow from the inside into the sound: pain and pleasure,
    • its inward experiences, pleasure and pain, joy and sorrow and all the others,
    • pleasure or pain is allied with an outward impression and thus what streams
    • artist expresses by other means paint, sound, etc. Creative feeling alone can
  • Title: Metaporphoses/Soul Two: Lecture 2: Laughing and Weeping
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    • animal kingdom. The astral body is the bearer of pleasure and pain, joy and
    • clairvoyantly observed when a person suffers pain or grief from some loss.
    • sorrow and pain much harder to endure.
    • forms of appeal can thus be grossly misused, because pain and grief, mockery
  • Title: Metaporphoses/Soul Two: Lecture 3: What is Mysticism?
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    • hope, and to the whole gamut of pleasure and pain, joy and sorrow. We called
    • above all it retains all its experiences, whether as pleasure or pain,
    • Cross before his inner vision, but if with pain and struggle he has won
  • Title: Metaporphoses/Soul Two: Lecture 4: The Nature of Prayer
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    • examples of what could be called “prayers in paint.” And who
  • Title: Metaporphoses/Soul Two: Lecture 5: Sickness and Healing
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    • pleasure and pain, joy and sorrow, of all the emotions, images, thoughts and
    • desires, passions, joy and sorrow, pleasure and pain. Thus it can be said
    • use its pleasure and pain, sympathy or antipathy to gain knowledge of the
    • outside world. What we call pleasure and pain, joy and sorrow, sympathy or
    • animal lives immediately within its pain; the human being is guided by his
    • pain beyond himself into discovery of the world because the ego leads him out
    • pleasure and pain, feelings, images, etc. We see how at night these
    • the astral body as the bearer of pleasure and pain, joy and sorrow, of
    • development. However much we regard death with fear and shock and feel pain
  • Title: Lecture: Spiritual Science and Speech
    Matching lines:
    • pleasure and pain, instinct, desire and passion, — the astral
    • The astral body, the vehicle of pleasure and pain, joy
    • external impression upon us. The painter imitates a scene which is
    • shade. Just as the painter imitates by manipulating light and shade,
    • the tone. Sorrow and joy, pleasure and pain, desire, wish, —
    • pleasure and pain, horror, fright and so forth. It must always be an
    • outer experience. The third element, then, where pleasure and pain,
    • joy, pain, and so on, would only be a radiation or emanation to which
    • case its mother comes to it. The inner experience of joy, or pain,
  • Title: Lecture: Prayer
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    • prayer. In painting we have what might be called a
    • painted prayer,” and surely in a massive,



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