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Searching Rudolf Steiner Lectures by GA number (GA0063)

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  • Title: Michelangelo
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    • powers, he painted the Father God on the ceiling of that chapel.
    • about his new task, the painting of the ceiling of the Sistine
    • done a good deal of painting, he did not feel himself really to be a
    • painter; nor did he regard himself as sufficiently prepared for his
    • sculpture to his painting the vital creative principle which informed
    • paints this with God the Father surging through space with hand
    • paintings, how the Christ-impulse was foretold. The whole of
    • of painting to do. He was to paint the two end walls of the Sistine
    • there today in Rome is by no means what Michelangelo painted. Not
    • overpainted and spoiled by inferior artists who used the most
    • appalling mixtures of paints and shading to clothe some of the too
    • many figures which Michelangelo had painted naked. Yet in spite of
    • Michelangelo's painting growing out into space. If we look at
    • Painting nor sculpture now can lull to rest
    • same spirit which we have found in his sculpture and painting. The
    • Moses and David, or with the colour and form of his paintings in the
    • Painting nor sculpture now can lull to rest
    • contemporaries understood Michelangelo's paintings in the Sistine
  • Title: Spiritual Science/Treasure for Life: Lecture I: The Spiritual World and Spiritual Science
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    • can be affected very easily by a stroke of fate painfully. Then
    • you may easily believe if you feel anything as painful and if
    • this painful feeling does not correspond to any wish, not even
    • yourself caused everything to experience this pain. What you do
    • pain. Since the fateful question becomes a question of
  • Title: Spiritual Science/Treasure for Life: Lecture IV: On Death
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    • prevented. Even physical pains consist of it; however, I want
    • effect in the world. We experience painfully now recognising
  • Title: Spiritual Science/Treasure for Life: Lecture V: The Meaning of Immortality of the Human Soul
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    • big pain. However, the spiritual researcher must just purchase
    • higher knowledge with pain. That what comes up then as a
    • pains, all memories strictly speaking; we are in them, are one
    • Indeed, all pains that we feel in the
    • point of view all pains appear which are integrated in life as
    • pain with misfortunes. Nevertheless, just as the sense
  • Title: Spiritual Science/Treasure for Life: Lecture XI: Spiritual Science as a Treasure for Life
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    • if one is not a painter. However, the human being of the
    • in the fields of architecture, sculpture, and painting. With
  • Title: Evil and Spiritual Science
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    • befogged by the being of pain and emotion, this seemed a kind
    • holding back the pain and emotion within the human soul, and
    • of this: that the wild waves of the being of pain and emotion,
    • described, conquering pain, conquering sentiment appeared as an
    • sentiment and pain. Then, as the Stoics thought, they plunge
    • us who enters into the spiritual world must painfully

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