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Searching Rudolf Steiner Lectures by GA number (GA0169)
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    Query was: artist
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Toward Imagination: Lecture 1: The Immortality of the I
    Matching lines:
    • poets, artists groom horses, professors tend sheep. Theater managers
    • the work of artists such as Goethe, Schiller, Shakespeare, Corneille,
    • He means by impressionism that the artist is utterly afraid to add anything
    • Very well, as far as possible everything coming out of the artist's
    • nature is not needed because the artist captures on canvas what he or
    • to mature, we will probably do these artists more justice than they
    • considers them artists of genius and indeed was led to admit with tremendous
    • way our writers, artists, and critics grow up and develop.
  • Title: Toward Imagination: Lecture 3: The Twelve Human Senses
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    • artistic sense; in short, a robust, cheerful, sensuous person. He
    • just for artistic effect. [You see, the canon in him cannot be denied,
  • Title: Toward Imagination: Lecture 4: The Human Organism Through the Incarnations
    Matching lines:
    • Let us assume an artist with a true feeling
    • passion of love. Clearly, this artist could not be a naturalist, for
    • matter, so-called actuality. Every time artists had the task to create
    • of the astral body. The artist does not have to know anything about
    • of art. How will the artist who really feels this, who really has a
    • Suppose an artist had created a Venus. As
    • nature. If the artist gives the matter physical expression, perhaps
    • age. When an artist achieves such a creation, spiritual scientists will
    • we will say that artists, while they are creating, often feel a true
    • by an artist? He will say, “This is a representation of a person
    • of our epoch look at the art of Greek antiquity and admire the artists'
    • the artists in ancient Greece did not work with their models as modem
    • artists do. Instead, when the artist wanted to represent an arm, he
    • artist sculpted a person in movement, he knew out of inner knowledge,
    • drawings of people, because Japanese artists, more so than others, paint
  • Title: Toward Imagination: Lecture 6: The Feeling For Truth
    Matching lines:
    • by these famous artists. For this fraud he was sentenced to four years
    • of sentence structure, a piece of trashy literature, really artistically
    • abominable literature. It is the artistic side I want to look at here,
  • Title: Toward Imagination: Lecture 7: Toward Imagination
    Matching lines:
    • the artistic structure of a house.
    • Suppose we had some kind of structure artistically built up out of layers
    • all of these arranged artistically into some kind of a structure. Now
    • the paper rolls were arranged in the artistic structure.
    • sciences. They describe this artistic structure, while ignoring completely



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