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Searching Rudolf Steiner Lectures by GA number (GA0169)
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   Query type: 
    Query was: music
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Toward Imagination: Lecture 1: The Immortality of the I
    Matching lines:
    • Of course, under such conditions no music
    • could be created; but Bahr excluded music. Neither could there be architecture.
    • Music and architecture can therefore never be purely impressionist.
  • Title: Toward Imagination: Lecture 2: Blood and Nerves
    Matching lines:
    • music merely a means to improve his concentration and was not really
    • Saturdays he did not want any music because then he was waiting for
    • them to piano music. He loved these detective novels, the kind of trashy
  • Title: Toward Imagination: Lecture 3: The Twelve Human Senses
    Matching lines:
    • while creating music. It is not the fragrance that rises up out of memory,
    • — sober, practical, unsentimental, lacking any musical or
  • Title: Toward Imagination: Lecture 4: The Human Organism Through the Incarnations
    Matching lines:
    • musical talents, least of all in the skull of Beethoven. He underscored
    • be found in these skulls that would indicate musical talents.
    • were indeed musicians in the incarnation where the anatomist found these
    • skulls. However, they may not have been musicians in their preceding
    • that all three men had been musicians, and yet their skulls had nothing
    • previous incarnations and became musicians only in the incarnation where
    • they had the skulls Langer examined. Their musical disposition expressed
  • Title: Toward Imagination: Lecture 6: The Feeling For Truth
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    • ”Followed by music on the harmonium
    • Followed by music on the harmonium
  • Title: Toward Imagination: Lecture 7: Toward Imagination
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    • As you know, some people are musical and others
    • musical and those who are not. In terms of the soul a musical person
    • is quite different from an unmusical one. I do not mean this as a criticism
    • of unmusical people; it is simply a statement of fact. Those who look
    • statement, “The man that hath no music in himself ... Is fit for
    • conclusion, there is a certain difference in the souls of musical and
    • unmusical persons.
    • Now, you may want to know why there are musical
    • and unmusical people. If you look for an answer in psychology, which
    • were to explain why one person is musical and another is not, if it
    • people are musical in this life who empathized with everything and moved
    • the musical soul developed. On the other hand, people who were dulled
    • not become musical. Nevertheless, they may have other excellent qualities,
    • Still, people are unmusical because in the previous incarnation they
    • the soul in a preceding incarnation and musicality in a later one, as
    • who is musical and describe what he or she was like in the previous
    • as though we were trying to become totally unmusical in the next incarnation.



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