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Searching Rudolf Steiner Lectures by GA number (GA0169)
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    Query was: paper
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Toward Imagination: Lecture 1: The Immortality of the I
    Matching lines:
    • for the newspapers; let's not talk about how journalists develop because
  • Title: Toward Imagination: Lecture 2: Blood and Nerves
    Matching lines:
    • when the newspaper world was thoroughly amazed by the daring flight
  • Title: Toward Imagination: Lecture 6: The Feeling For Truth
    Matching lines:
    • There have been other painters, and a newspaper
    • read the newspapers. Newspapers don't last beyond their day, and people
    • think the newspapers leave their soul as easily as they entered it.
    • newspaper. It is precisely this fleeting and transitory character of
    • the newspaper and the fact that we do not try to remember it but want
    • must forget in the case of some newspapers. One time, we were in the
    • Now, that is an evening paper, and one day it ran a very sensational
    • was based on an error. Now this is a thing not often found: a newspaper
    • city newspapers are ever so gradually moving in this direction.
    • have far less effect than newspaper articles. What is carefully taken
    • less effect than what we take in hastily from a newspaper. Please do
    • not take this to mean that you should not read newspapers, but accept
    • so much as a line in a newspaper. We must take newspapers as part of
    • a feeling for style. Granted, we have to read newspapers nowadays, but
    • by newspaper reading and read nothing else anyway, but also among people
    • is now a modem newspaper. The article was written by Dr. F. Oppenheimer,
  • Title: Toward Imagination: Lecture 7: Toward Imagination
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    • of paper rolls, some of them standing upright, others at an angle —
    • imagine we had not just rolls of plain paper, but inside each roll a
    • up paper, we wouldn't see the paintings on the inside of the rolls.
    • the paper rolls were arranged in the artistic structure.
    • artful structure of paper rolls, but the paper rolls have to form it
    • on all the paper rolls, the latter now have the power to arrange themselves
    • matter and have come up with this image of the paper rolls with their
    • the paper rolls and unroll it. In other words, something special must
    • nothing. Then it occurred to him to lift up the paper lining of the
    • drawers, and there between the last layer of paper and the bottom of
    • a piece by such a popular writer appeared in a widely read daily paper.
    • threat, would soon appear in shop windows and newspapers. As I said,



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