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Searching Rudolf Steiner Lectures by GA number (GA0169)

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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Toward Imagination: Lecture 1: The Immortality of the I
    Matching lines:
    • plays; he wrote still more, but he disavows the earlier ones. It is
    • his student days; indeed I knew him quite well. You see, he wrote on
    • standpoint of impressionism. When he wrote about painting, he wanted
    • an ardent nationalist and wrote his
    • wrote from Paris at that time.
    • with enthusiasm for Spanish culture, so much so that he wrote an article
    • all this he had also been to St. Petersburg where he wrote his book
    • Kraus” and who publishes small books, wrote a pamphlet about this
    • When the building was torn down, Kraus wrote a booklet entitled
    • the people of Danzig, and out of these ideas he then wrote this book.
    • at the university in Czernowitz! Many years ago he wrote a book called
    • and he just recently wrote
  • Title: Toward Imagination: Lecture 2: Blood and Nerves
    Matching lines:
    • In the 1860s, he wrote a splendid, extraordinarily profound little
    • not get well again because he was undernourished. This man wrote one
  • Title: Toward Imagination: Lecture 3: The Twelve Human Senses
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    • really was only pretending when he wrote the magnificent, grandiose
    • in the manuscript. Well, according to Franz this simpleton wrote it
    • situations in karma. Thus, what I wrote a few weeks ago so you can now
    • the letters I wrote to Dr. Hübbe-Schleiden back then, just before
    • today, but I have to read what I wrote in those days:
  • Title: Toward Imagination: Lecture 5: Balance in Life
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    • know that the person who wrote the words: “Wounds abide, hours
    • the simple crucifix — well, nobody knows who wrote it —
    • semantics and wrote three hefty volumes as well as a whole dictionary
    • He wrote:
  • Title: Toward Imagination: Lecture 6: The Feeling For Truth
    Matching lines:
    • He wrote a book about tying a knot into a round ribbon of one piece, which
    • and never again wrote the word “Paris” without drawing a
    • wrote about them, who have taken to copying old masters because they
    • were unable to sell their own work. When they wrote the name Leonardo
    • in Meyer's name was always used; Meyer never wrote his full middle name;
  • Title: Toward Imagination: Lecture 7: Toward Imagination
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    • and he wrote extraordinarily interesting books, which are, unfortunately,
    • wrote to this sanitarium, explaining that the patient in question could
    • member wrote this to the physician, who replied that this just goes
    • Well, just recently someone wrote that he

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