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Searching Rudolf Steiner Lectures by GA number (GA0231)

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    Query was: pain

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Spiritual Knowledge: A Way of Life
    Matching lines:
    • that have a materialistic orientation give us pain; for we know, such
    • clothes his perceptions. To this I would reply: To paint a picture,
    • spiritual knowledge. In order to “paint” in ideas, one
    • must be a researcher in the spirit; but once the picture is painted,
    • undergo a pain with which no other pain can be compared. It is at the
    • earth. An indescribable pain is involved in leaving, on the path of
    • of the spirit. The whole being is, as it were, steeped in pain. And
    • kind of experience one may have from the painting of a great artist.
    • direct inner experience of the idea. He will undergo also the pain
  • Title: Anthroposophy as a Demand of the Times
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    • us pain. And someone who can penetrate more deeply into these
    • one's own body, one feels, one feels it sometimes painfully
    • content, at this moment an unspeakable pain, an unlimited
    • can otherwise experience as pain in the world is really
    • insignificant compared with this spiritual soul pain which one
    • overcome this pain. For it is this pain which is the expression
    • it as an unspeakable pain. But when we live for a while in this
    • pain, when we feel our inner being itself as one filled with
    • pain, that is, when we are for a while pain, when our own human
    • conglomerate of pain, then this consciousness no longer remains
    • one doesn't have to be a painter in order to experience the
    • only the painters would be able to experience it — just
    • error. Just as one can stand before a painting and admire its
  • Title: Supersensible Man: Lecture I
    Matching lines:
    • painting or drawing. But now it is not so easy to paint what we hear
    • paint into the picture a definite “form,” to express what we
    • certain points we are obliged to go beyond the line and paint a
    • blue-red, suddenly becomes melody. We feel we must paint in this form
    • we must paint a form which attaches itself in some way to the channels
  • Title: Supersensible Man: Lecture III
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    • King of Spain who was once shown a map of the stars and their
  • Title: Supersensible Man: Lecture V
    Matching lines:
    • suffering and pain. We are apt to forget how very much sense
    • abstractions. The pain that is caused him by hearing people speak of
    • physical pain caused to a finger by putting it into a flame.

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