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Searching Rudolf Steiner Lectures by GA number (GA0271)

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    Query was: object

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: The Physical-Superphysical: Its Realisation Through Art
    Matching lines:
    • spiritual, behind the objects of nature. One just asks nature
    • the one-sided eye is only an object, to reduce this form to
  • Title: The Sources of Artistic Imagination and the Sources of Supersensible Knowledge
    Matching lines:
    • methods, it should not be objected that conscious seership is
    • seership, however, something quite objective, but no loss
    • terms of objects and space-forms; and these space-forms shape
    • with two feet on the ground, of grasping objects and so
    • transformed into plastic, objective forces which the seer
    • all other human beings and material objects. The way into the
    • ceases to be the object that evades and resists the inner
    • closely scrutinize the object under observation. But just as
  • Title: Goethe As Founder of a New Science of Aesthetics: Steiner's First Lecture
    Matching lines:
    • treatises that are appearing in our time, with the object of
    • objective as the colours and the forms of things, but they are
    • the objective world with a non-receptive spirit, it does not
    • regard as its own. The divinity which the objects in Nature
    • object, idea and reality, melt into each other. The task of
    • it to the pleasure we feel when concerned with an object to
    • for the existence of the object. Pleasure in the useful
    • the possession, with the existence of the object, for it is not
    • attached to the object but to the idea of the object. Whereas
    • exterior purpose. When we perceive an object in Nature, or a
    • ‘wherefore’ lies in the object itself, and the intellect
    • with objective value. The separation of the activity of the two
    • freedom: in the object is spirit, and the spirit is objective.
    • partake, is simultaneously present for our senses in objective
    • because, in reality, spirit and object are never fully
    • objective. The important question now is: On what does our
    • spite of all objections, beauty can never be separated from
    • than through the object itself which caused them. We only know
    • object to be beautiful, for, physiologically, there is nothing
    • a question of ascertaining the object. By virtue of what does
    • Maximum number of matches per file exceeded.
  • Title: The Nature and Origin of the Arts
    Matching lines:
    • exercise this faculty of thine upon objects already possessed
    • of movement and soul, objects into which they have already

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