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Searching Rudolf Steiner Lectures by GA number (GA0271)
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   Query type: 
    Query was: point
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: The Physical-Superphysical: Its Realisation Through Art
    Matching lines:
    • not pert we shall feel disappointed. It goes without saying
    • disappointment, must call for a special sphere of life to be
    • often contains truths very important from the point of view
    • to inner movement, to move from one point to another. If we
    • sculptor makes use of that point where the sense of touch is
  • Title: The Sources of Artistic Imagination and the Sources of Supersensible Knowledge
    Matching lines:
    • seership in the sense of Spiritual Science. There are points
    • feel obliged to adduce against the spiritual-scientific point
    • Expressionist, is not the important point. A certain
    • perception is quite different. The essential point to realise
    • point is to understand what is meant by genuine seership.
    • standpoint of super-sensible knowledge, becomes a domain
    • perception. From without inwards, he comes to the point where
    • by introducing illustrations at some particular point. A man
    • point our own balance or equilibrium is inserted into the
    • central point of the body coinciding with the line of
    • the point where nerve-currents and blood-currents meet. The
    • sometimes feel disappointed; instead of finding ready answers
    • indicates the point at which we are standing in our cultural
  • Title: Goethe As Founder of a New Science of Aesthetics: Steiner's First Lecture
    Matching lines:
    • condition that we attach ourselves, at some point or other, to
    • point of contact with the greatest spirit of latter times means
    • find some point of contact with Goethe, the way they set about
    • are in Goethe, and, making this our starting-point,
    • will at this point be incumbent on me to show to what extent
    • standpoint of the Greeks should be superseded, is not without
    • does not need to reach out beyond it. At this point Schiller
    • essentially improved on Schelling on this point. I say on this
    • point, for in many other respects he towered above him. Hegel
    • veil to shroud it. If this standpoint in Æsthetics be
    • and Æsthetics, from this standpoint, have proved
    • reality the point, starting from which, an object can be
    • his own creative activity: ‘I seek in everything a point from
    • the purely spiritual. It always points to a distinct decadence
  • Title: The Nature and Origin of the Arts
    Matching lines:
    • collision as a point of undisturbed rest lying between



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