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Searching Rudolf Steiner Lectures by GA number (GA0283)
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    Query was: spiritual
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Speech and Song
    Matching lines:
    • and the Life in Spiritual
    • spiritual activity — an activity which man performs in unison
    • it in a sense the spiritual germ of his future physical earthly body
    • equilibrium in the spiritual worlds. And this, man loses in a certain
    • neither in the conditions of equilibrium of his spiritual
    • the spiritual in-breathing or inspiration (which we observe to
    • song, in the spiritual world.
    • through and through an image of the spiritual. Everything here
    • him in external nature — is an image of the spiritual. Now when
    • spiritual world than in our thinking system. And it is of course the
    • the time it is shaped out of the spiritual world. This matter can be
    • understood only by deeper spiritual-scientific research. The
    • the spiritual world, in the way I have described in my book
    • receive the direct manifestations of the spiritual world
    • place of it, a new thing comes forth in the spiritual
    • we find to be none other than the spiritual counterparts of the
    • But the spiritual
    • ascend into the spiritual world. You live your way into a vowel world
    • spiritual sense. In effect, there is something living in the vowels
    • — namely the spiritual counterparts of the consonants.
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • This spiritual scientific study is full of insights into the nature of
    • discern the higher spiritual worlds.
    • student on the path of spiritual training learns to acquire
    • consciousness, man develops the faculty to hear spiritually and to
    • tones. All objects have a spiritual tone at the foundation of their
    • being, and, in his deepest nature, man himself is such a spiritual
    • unconscious but living in the spiritual world. The spiritual sounds
    • musical prototype from the spiritual world, which he then transposes
    • music that resounds here in the physical world and hearing spiritual
    • Devachan, and physical music is but a reflection of the spiritual
    • same elements, on spiritual tone and spiritual vibrations. The
    • of the spiritual world within him when he listens to music. When he
    • his spiritual home. In this shadow image of the spiritual, the human
    • spiritual world, and because in tone the soul finds the element in
    • themselves live on. The archetype of music is in the spiritual,
    • experienced in the world of his spiritual home.
  • Title: Lecture: Inner Nature of Music: Lecture II
    Matching lines:
    • This spiritual scientific study is full of insights into the nature of
    • spiritual scientific investigation, we see how the world and all
    • standpoint of spiritual science, allowing it to cast its light on
    • spiritualized. Man has the sensation that he himself lives in this
    • this deep stillness begins to resound spiritually, softly at first,
    • comprehensible to a spiritual scientist, because he discerns their
    • spiritual scientist understands all this. One must not believe,
    • experiencing a foretaste of the spiritual world, this would be found
    • victory of the spiritual over merely animated corporeality
    • home. The vibrations flowing through the spiritual world are felt in
    • Devachan, and the echoes from this homeland, the spiritual world,
    • thrill it with vibrations of purest joy and sublime spirituality,
    • home, the spiritual world, the sounds of music are borne across to us
  • Title: Lecture: Inner Nature of Music: Lecture III
    Matching lines:
    • This spiritual scientific study is full of insights into the nature of
    • to find themselves in the spiritual world and who bring with them
    • above in Devachan. Even if the individual's spiritual sojourn
    • to the physical plane. The time in the spiritual world thus can be
    • spiritual that they are unable to unite themselves with our coarse
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • This spiritual scientific study is full of insights into the nature of
    • Man and the World of the Stars/the Spiritual Communion of Man,
    • result of a magnificent spiritual activity, which man, together with
    • which becomes the spiritual seed, as it were, for his future physical
    • the state of equilibrium in the spiritual world. It is lost to a
    • womb, man is neither in the condition of equilibrium of his spiritual
    • does not follow the exhalation. Instead, it follows spiritual
    • in the spiritual.
    • a reflection of the spiritual through and through. Not only what man
    • is a reflection of the spiritual. When man expresses himself in
    • much closer to the spiritual world with our rhythmic system than with
    • shape. Yet, it is really shaped out of the spiritual, and only
    • through spiritual scientific research can one perceive what actually
    • one ascends to the spiritual world in the way described in my book,
    • where the direct revelations of the spiritual are received —
    • below.) In the spiritual perception that can be gained through
    • spiritual counterparts of the consonants. (See upper yellow lines in
    • spiritual counterparts of the consonants, however, do not live
    • into the spiritual world. You live in a singing worlds of vowels. You
    • element is colored by the spiritual counterparts of the consonants
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • This spiritual scientific study is full of insights into the nature of
    • in the spiritual world.” This was the predominant experience of
    • that, preceding this descent from the spiritual world to the physical
    • world, the human “I” descends spiritually to the astral
    • works spiritually, through the eye, for example, directly upon the
    • cause for this is the spiritual element that descended the farthest
    • spiritual, outer “I.” When octaves are employed in the
  • Title: Lecture: Inner Nature of Music: Lecture VI
    Matching lines:
    • This spiritual scientific study is full of insights into the nature of
    • being, however, senses not the outer world but the spiritual world in
    • experience of the fifth as spiritual experience was the first to be
    • experience of the fifth, “I stand within the spiritual world.”
    • piano they have been derived from the spiritual world.
    • time a speaking of the spiritual world. One was conscious that if one
    • spiritual element incarnated into the tones of song, which in turn
    • the more spiritual age to the later materialistic age.
    • which comes down from spiritual worlds, incarnates, and then passes
    • experienced spiritually at the threshold in the experience of the
    • spiritual life, mention is made of man's sevenfold nature. The
    • the fifth. The reason is that in that age all spiritual experience
    • spiritual in a similar way, descending from the interval of the fifth
    • enter into the spiritual.
    • themselves; they were within the great, all-pervading spirituality of
    • musical cognition, a spiritual-musical cognition. Though people today
    • of cognition, ordinary bodily, intellectual cognition and spiritual
    • experience of the spiritual, the actual presence of the spiritual in
    • tone, in the musical tone structure. The spiritual fades away; man
    • is a remnant of the spiritual; and what he had earlier as
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • This spiritual scientific study is full of insights into the nature of
    • similarly developed soul-spiritual organs in his astral body and “I”
    • spiritual vision, therefore, could survey that which would be
    • soul-spiritual organs, these experiences do not reach ordinary
    • becomes different in that century. Without spiritual scientific insight
    • turn my spiritual sight up toward those beings who, through the
    • This transference of a spiritual task took place over a long period
    • the divine-spiritual world, and, on the wings of the tone structure,
    • sin, the falling away from the benevolent divine-spiritual powers.
    • prophetically envisioned man's fall from the divine-spiritual
    • religious experience in community with the spiritual world. It
    • again find the way out to the divine-spiritual. In one realm,
  • Title: The Occult Basis of Music
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    • sound. The disciple acquires the capacity to hear spiritually; he
    • takes his model from the spiritual world. He has in himself the
    • the hearing of spiritual music during the night. But the relation of
    • physical music to this spiritual music is like that of a shadow to the
    • the Spiritual Soul, which is linked with the Spirit-self, or Manas. In
    • Intellectual Soul and his Spiritual Soul are permeated with its
    • spiritual tones and rhythms. The ether-body is lower than the astral
    • has an inkling that these impressions of the spiritual world are
    • image of his spiritual home. It naturally elevates the soul to feel
    • the arts, and to say that the composer discerns with his spiritual ear
    • soul, and because they are related to the spiritual world and are



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