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Searching Rudolf Steiner Lectures by GA number (GA0283)
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    Query was: air
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Speech and Song
    Matching lines:
    • our breathing-in the air. The air which we breathe in passes through
    • in the element of air. It is, however, but a childish conception of
    • Physics to believe that the peculiar forms in the air are the reality
    • In the same way the air
    • in the air. For the sound itself, the air signifies no more than does
    • the air, and the air gives it the possibility to stand. But the sound
    • soil on which he stands, so, is the sound different from the air upon
    • earth can only speak and sing by means of the air, we have in the
    • airy forming of the sound the earthly image of a thing of soul and
    • world, and that which dwells here in the air is fundamentally the
    • clairvoyance in an earthly form. We are tempted to say: — As
    • sound dwells on earth in the element of air, so it is with the nature
    • consonants, if we have the necessary clairvoyant power of imagination
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • tenet: Life is a disagreeable affair; I attempt to make it bearable
    • hears music, a clairvoyant can perceive how the tones flow, how they
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • the gaseous state, “air” in esoteric terminology.
    • delicate states beyond air. In order to understand this better, we
    • When it vaporizes it becomes in the esoteric sense, “air.”
    • Any substance thus can become “air” in its final state.
    • If “air” is more and more diffused, it becomes
    • is related to “air” in the same way that “water”
    • and air. What lives in the etheric body consists of fire, light
    • air,” “water,” and “earth.” The
    • Let us make it clear that the physical as vapor or esoteric “air
    • physical body, mainly to the level of “air.” In the
    • now it penetrated to “air.” This is very important for
    • in the element of air. Just as there were only cold-blooded creatures
    • domain of air before they could emit sounds. Now, the first, most
  • Title: Lecture: Inner Nature of Music: Lecture IV
    Matching lines:
    • caused by our inhalation of air. Sketching it, we see that the air we
    • lives in the air. The scientific concept, however, that the vibration
    • of the air is the tone is a naïve concept indeed. Imagine
    • needs air for support. Just as man stands on the firm ground, so —
    • resistance, in the air. Air has no more significance for tone than
    • the ground for the person who stands on it. Tone rushes toward air,
    • and the air makes is possible for tone to “stand.” Tone
    • from the air on which it rises. Naturally it rises in complicated
    • earth, we can speak and sing only by means of air, and in the air
    • in reality to the super-sensible world, and what lives here in the air
    • takes a step back, he brings the earthly affairs surrounding him to a
    • basically nothing but the pre-earthly force of clairvoyance. Just as
    • on earth tone lives in the air, so what is actually spiritual in
    • necessary clairvoyant imagination to observe the consonants in their
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • those who wish their enjoyment of art impaired by being told
    • the air. Even if an instrument other than a wind instrument is used,
    • the element in which tone lives is still in the air. What we
    • air. The ear is the organ that first separates the air element from
    • the airborne tone back into the inner being of man in such a way that
    • it separates out the air element; then, in that we hear it, the tone
    • resounding in the air and to hurl the pure etheric experience of tone
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • the form of the soul's composition is the same as clairvoyantly
    • experience of the sixth is that of inspiration with clairvoyance. The
    • remaining mystery traditions clairvoyant cognition is also called
    • clairvoyance. If man wishes to take objective hold of the musical
  • Title: Lecture: Inner Nature of Music: Lecture VII
    Matching lines:
    • with the air of the science of the spirit, one looks back at the



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