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Searching Rudolf Steiner Lectures by GA number (GA0283)
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    Query was: astral
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture I
    Matching lines:
    • world. Man gradually learns to see what is called the astral body of
    • condensation that has been crystallized out of the astral world. In
    • to the astral world. The most characteristic element of the
    • time the human being falls asleep and loses consciousness, his astral
    • etheric body, astral body, and ego or “I.” The etheric
    • toward the astral realm, is the sentient body
    • works consciously on the purification and transformation of astral
    • in all esoteric schools, the sphere of Devachan and also the astral
    • etheric body is lower than the astral body, but the activity
    • astral body. Man's evolution consists of his transforming with
    • his “I” the bodies he possesses: first, the astral body
    • man). Since the astral body is the most delicate, man requires the
    • from the higher Devachanic world. One can work on the astral body
    • with the forces of the astral world itself, but the etheric body
    • astral body. This pleasurable feeling is strongest when a person is
    • etheric body continuously resounds in the astral body. When a person
    • hears music, the impression is experienced first in the astral body.
    • with certain musical sounds, something of the astral body flows into
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • astral world. This is no newly created world. It is new only for a
    • day-consciousness. Actually, this astral world is always present and
    • astral body and learns to live in it consciously. The basic
    • can arrive at perception of the second world, the astral world, only
    • must precede the awakening in the astral world. This deep stillness
    • dreamless sleep. The colors of the astral world become increasingly
    • himself is color and light. He feels himself astrally within this
    • astral world, and he feels afloat in a great, deep peace. Gradually,
    • now approaches, the colorful world of the astral realm in which he
    • Leadbeater, for example, gives an accurate description of the astral
    • inaccurate. It is merely a construction modeled on the astral plane
    • astral world, for the two worlds are not separated: the astral world
    • unconscious one, of experiences in the astral world. Where has he
    • them? They are the after-effects of the astral experiences he has had
    • shadow-image, a precipitation of the astral world in the physical
    • world, and we see how the effects of the astral realm bear
    • concealed in his work. The precipitations of his astral vision need
    • painting the shadow, the precipitation, of the astral world in our
    • all the physical world, then the etheric body, then the astral body,
    • In particular, the separation of the astral body
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • astral body. He has the physical body in common with all beings one
    • comes the astral body, in itself quite a complicated entity, and
    • we examine the astral body closely, we have first the so-called
    • the astral plane. In man's case, however, the soul is here on
    • one part of his astral body. The fourth member of man's
    • physical body is permeated by the etheric body; similarly the astral
    • body permeates the etheric body. The astral element can descend as
    • astral descends to “fire,” and the etheric body occupies
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • etheric body, astral body, and “I.” One has to put it
    • world, the human “I” descends spiritually to the astral
    • and etheric. In penetrating the astral and etheric, the “I”
    • “I” through the astral and etheric into the physical. In
    • physical, at first bypassing the astral and etheric. Later, from
    • with the astral and etheric. We bring into ourselves the etheric and
    • astral only from within out. We thus can say that the “I”
    • builds up from the physical with the inclusion of the astral and
    • taking hold of our astral nature. There it gains influence over our
    • vibrations of the astral body enter in. Now we reach a climactic
    • through the etheric and astral bodies to the seventh. We must now
    • and f-sharp, he shakes up our etheric and astral bodies. The etheric
    • body vibrates and pushes up to the astral body — the origin of
    • at the astral experience in the tones up to the seventh. We do not
    • body, which in turn pushes upon the astral body. The “I,”
    • etheric and astral man — the inward-etheric body, i.e. down to
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • similarly developed soul-spiritual organs in his astral body and “I”
    • contained in the biography of this “I” and astral body,
    • of tones draws my ‘I’ and my astral body out of my
  • Title: The Occult Basis of Music
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    • world back with him into waking life. Then he sees the astral bodies
    • from out of the astral world.
    • the astral world. The essential element of the devachanic world is the
    • Whenever anyone falls asleep, his astral body goes out from his
    • which at night imprint themselves on his astral body. Unconsciously he
    • is a step towards the astral. Inwardly bound up with him, as though
    • devachanic-astral realm is called the world of interpenetrability. Man
    • itself on the wax, so the astral body imprints the devachanic rhythms
    • Ether-body and astral body bear witness in their own being to the
    • spiritual tones and rhythms. The ether-body is lower than the astral
    • the astral body into Manas, the ether-body into Buddhi, the physical
    • body into Atma. Since the astral body is the most tenuous, the
    • astral body with forces drawn from the astral world. But to work on
    • The more strongly the astral body resounds, the more strongly do its
    • a composer. In certain cases the harmonies of the astral body



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