Searching Rudolf Steiner Lectures by GA number (GA0283)
You may select a new search term and repeat your search.
Searches are not case sensitive, and you can use
in your queries.
Query was: call
Here are the matching lines in their respective documents.
Select one of the highlighted words in the matching lines below
to jump to that point in the document.
- Title: Lecture: Speech and Song
- that which man forms and creates in this activity — we may call
- figuratively in the least: — the human being is plastically
- current of the breath. He consciously calls into activity this second
- into the head which is directly called into activity when, as in
- consonantal nature, which is plastically shaped and formed in
- of cells which we can investigate chemically and find the substances
- And if we conceive the whole twelve consonants, cosmically
- Title: Lecture: Inner Nature of Music: Lecture I
- what the origin is of the artistically formed tones and what they are
- without interpolation of the mental image. When man is artistically
- recalls that in this world of light and color there were things and
- world and, upon awakening, recalls that he had taken part in that
- world. Man gradually learns to see what is called the astral body of
- physical ear. This world is called Devachan.
- realm have been called “the world of permeability.”
- etheric body. A person is musically creative or sensitive to music
- Title: Lecture: Inner Nature of Music: Lecture II
- because outer things call forth mental images in the human senses,
- Schopenhauer speaks physiologically of specific sense impressions.
- like a Fata Morgana within him; it is a kind of reflection called
- force active within us, as will. These forces Schopenhauer calls “the
- if he undergoes the discipline of so-called “great stillness.”
- opens to man is Devachan, the so-called mental world, and he enters
- with some of the effects that these experiences called forth in him.
- When he awakens in the morning, not only is he physically rejuvenated
- astral and Devachanic worlds. In these worlds, specifically in the
- Title: Lecture: Inner Nature of Music: Lecture III
- physical heredity is to what we call an ongoing karma.
- calls inanimate and the etheric body in common with all plants. Then
- we examine the astral body closely, we have first the so-called
- blood, for instance, is called “water.” Third, we have
- increasingly delicate and reaches a new state. The esotericist calls
- is called “light ether” by the esotericist. Continuing to
- a still higher state, we come to what esotericists call “chemical
- Title: Lecture: Inner Nature of Music: Lecture IV
- sculptural form of the human organization. Not speaking symbolically
- means of recalling the experience of pre-earthly existence. We stand
- it actually consisted only of vowels and was rhythmically half-sung.
- is basically the body of tone. It is not surprising, therefore, that
- basically nothing but the pre-earthly force of clairvoyance. Just as
- one finds chemical substances that may be examined chemically. That
- things, the greatest artist was called Orpheus. He actually possessed
- symbolically but in a very real sense. The matters are indeed as I
- Title: Lecture: Inner Nature of Music: Lecture V
- we call c today are excluded, were permeated with a measure of this
- minor moods in music. Basically, we ourselves are still involved in
- nine and ten and that should be specifically cultivated. As far as is
- we experience how matter strives to become musically ensouled. This
- is what the position of contra-tones in music basically signifies.
- Title: Lecture: Inner Nature of Music: Lecture VI
- not take this pedantically; pedantry must never play a role in the
- attention be called to these things. In the sphere of music, too, the
- etherically before us. The musical experience is nothing else than
- remaining mystery traditions clairvoyant cognition is also called
- musical instruments basically are a clear reflection of the fact that
- instruments like the flute or violin originate musically from the
- artist who basically lives completely in the element of music, such
- Title: Lecture: Inner Nature of Music: Lecture VII
- I have called attention repeatedly to the fact that, just as one can
- is a prejudice of contemporary, so-called enlightened human beings to
- who lives musically only in sevenths, with no intervals in between,
- prophetically envisioned man's fall from the divine-spiritual
- religiously and artistically, must go through with the world, so that
- Title: The Occult Basis of Music
- What is the origin of musically-shaped sounds? How are they related to
- previously he knew nothing, a world which is not intrinsically one of
- This world is called the devachanic world (Deva=spirit, chan=home).
- devachanic-astral realm is called the world of interpenetrability. Man
- transmutation of it calls for the least strength. Man can work on his
- his etheric body he has to call on forces from the devachanic world,
Rudolf Steiner Archive is maintained by: