Searching Rudolf Steiner Lectures by GA number (GA0283)
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- Title: Lecture: Speech and Song
- into the head which is directly called into activity when, as in
- receive the direct manifestations of the spiritual world
- the singing speech of the World. You look out in the direction of
- Title: Lecture: Inner Nature of Music: Lecture I
- the will. Tone, however, is a direct expression of the will itself,
- role of directly portraying the very essence of the cosmos. He had a
- Title: Lecture: Inner Nature of Music: Lecture II
- directly to the divine than is possible for intellectual knowledge.
- the melodies and harmonies of tones, is nature's direct
- nearer the heart of the world and is a direct expression of its
- surging and swelling, it also directly affects the human soul. It
- so direct, so powerful, so elemental.
- Title: Lecture: Inner Nature of Music: Lecture III
- nothing directly to do with the inheritance of musical talent.
- Title: Lecture: Inner Nature of Music: Lecture IV
- of this relationship directs us to the inner organization of man,
- forms the vowel streams in a consonantal direction. This was not the
- of breathing extends into the head and is directly activated from
- where the direct revelations of the spiritual are received —
- can, however, direct toward the divine what we are as earthly,
- the result of two cosmic arts. From one direction derives a cosmic
- Title: Lecture: Inner Nature of Music: Lecture V
- direct sense organ but instead as transmitter to man's inner
- music in a subjective direction. Subjectivity only came into play in
- works spiritually, through the eye, for example, directly upon the
- pass over to the directly experienced “I,” in that we
- Title: Lecture: Inner Nature of Music: Lecture VI
- the musical element continues in both directions. I need the
- or instrumental music. The element of harmony takes hold directly of
- willing. Harmony directly addresses itself to feeling and is
- musical element itself could become a direct will impulse without
- directions it must be contained. The musical experiences must take
- this reason, music has no direct equivalent in outer nature. In
- harmony in the direction of willing. This is restricted willing, a
- Title: Lecture: Inner Nature of Music: Lecture VII
- direction of our physical-etheric environment, we perceive the three,
- experience converged with a direct religious experience. Their
- that it directly transported him, that he could say, “The world
- Title: The Occult Basis of Music
- something puzzling about it; for simple human feeling it is a direct
- musical sound is a direct expression of the Will itself. The composer
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