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Searching Rudolf Steiner Lectures by GA number (GA0283)

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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Speech and Song
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    • Human Expression through Tone and Word.
    • an expression of our earthly thoughts. These earthly thoughts contain
    • place to express our thoughts — our earthly thoughts. This
    • insert the chapter on the expression of the human being through the
    • to-day, if I may say so, to express my personal gratitude for this
    • man expresses himself in speech or in song, he is really manifesting
    • the expression of the human being through sound was not really
    • expressed by the twelve primeval consonants.
    • of speech or of song a self-expression of the human being. The soul
    • the nerve-strands. Pressing upward to the head through the spinal
    • sounds, we press what is living in our soul down into the body; and
    • the soil for the man who stands on it. The sound presses forward to
    • expressed it differently.) After death, when man goes farther and
    • and so forth, we might equally well express it thus: — Man
    • Aries, and as you do so, receive the impression of a consonant
    • whenever he expresses himself in Art, he were to say,
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • in which today (1906) only an immediate impression of reality is
    • impressions; he retained in his memory all the assets and discarded
    • the will. Tone, however, is a direct expression of the will itself,
    • make an impression on his soul. The human being awakens each morning
    • melodies that impress themselves on his etheric body during the night
    • hears music, the impression is experienced first in the astral body.
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • of that which is unable to make an impression on the senses.
    • Schopenhauer speaks physiologically of specific sense impressions.
    • The eye can receive only light impressions; it can sense only
    • impressions, and so on. According to Schopenhauer's view,
    • impression is needed, and this is man himself. All outer things are
    • which finds expression in the words, “In nature, it is the
    • completely to expression nor attain in her creations, at least not
    • intentions of nature through to the end and expresses them in his
    • expression. The musician hears the pulse of the divine will that
    • flows through the world; he hears how this will expresses itself in
    • will. Music is the expression of the will of nature, while all the
    • other arts are expressions of the idea of nature. Since music flows
    • nearer the heart of the world and is a direct expression of its
    • recollection or impression back into his familiar state of
    • physical nature is such that it follows these impressions, though he
    • expresses it in his philosophical formulations.
    • above. One who understands this expression in its highest sense
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • wishes to come to expression on the physical plane. What significance
    • either do or do not press for reincarnation.
    • resounds. We are concerned here with the soul's expression in
    • impressions received from the environment. All the other senses must
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • Anthroposophic Press, Spring Valley, NY. 1982.]
    • language is an expression of our earthly thoughts. These earthly
    • language, and here we acquire the means that serve to express our
    • expression through tone and word to the cosmological considerations
    • Goetheanum. As an expression of inner satisfaction over this
    • is a reflection of the spiritual. When man expresses himself in
    • speech and song, he expresses his whole organization of body, soul
    • expressions were not differentiated into song and speech; instead,
    • at all, one can say that the human organism is expressed sculpturally
    • discover a self-expression of the human being in each word and tone.
    • The soul element (red), which expresses itself in vowels, pushes
    • inspiration, a new element begins to express itself, namely the
    • Testament expresses this in a different way. When man moves away from
    • soul-consonant impression. Perhaps you behold Saturn behind Aries:
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • may express it in this way — actually to overcome the tone's
    • “I sing” was not the appropriate expression. It became
    • post-Atlantean epoch and with it the ability to express major and
    • embryonic development and today expresses itself in our movements and
    • — if I may express it in this way — and we have ascended
    • felt it; in order to express it, we must word it like that —
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • expression referring to vision for an experience that has to do with
    • instrument. He had an impression, an imagination, as it were, of a
    • akin to an expression of the word. One sang, but this was at the same
    • human feeling. What is expressed in harmonies is experienced by human
    • Anthroposophic Press, Spring Valley, N.Y., 1971.]
    • the major third. The facts of human evolution are expressed in
    • these forms express the experience of the fourth or the fifth.
    • harmony through rhythm into willing — finds emphatic expression
    • expressed in the arms. All percussion instruments — or those in
    • the musical element is expressed in the third part of man's
    • piano could become an expression of the musical element. Naturally,
    • from the impressions of the piano if he wishes to experience the
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • paradoxical expression — he cannot bring his consciousness into
    • Anthroposophic Press, Spring Valley, N.Y., 1972.]
    • beings their sense impressions, while the primal beginnings bestow
    • Anthroposophic press, Spring Valley, N.Y., 1973.]
    • physical-sensible world. There, I employed philosophical expressions,
    • see supersensibly, he has the following impression. He realizes that
    • Supersensible consciousness, on the other hand, has the impression
    • that between man [see diagram] and the sense impressions there are
    • sense impressions. The Exusiai, Dynamis, and Kyriotetes are actually
    • sense impressions.
    • impression of being something external that lacks content. Man
    • with depressed, sad moods, which the human being experiences as a
    • within himself but one that was felt to be an expression of the soul
    • joy and suffering, exaltation and depression, but one must say that,
    • jubilation, produced by the gods as an expression of joy over their
    • powers and brought this to expression in their cosmic lamentation.
  • Title: The Occult Basis of Music
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    • to give an exact impression of what the senses perceive. Poetry,
    • His philosophy has a fundamental ground-note which may be expressed as
    • musical sound is a direct expression of the Will itself. The composer
    • harmonies make an impression on his soul; they vibrate through it in
    • has an inkling that these impressions of the spiritual world are

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