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Searching Rudolf Steiner Lectures by GA number (GA0283)
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    Query was: soul
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Speech and Song
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    • lies between, soul meets with soul through speech. We feel that we
    • his whole nature — body, soul and spirit — not only
    • — in this we have the soul which plays upon the instrument. The
    • soul provides the vowel nature. Thus when you embody in speech the
    • of speech or of song a self-expression of the human being. The soul
    • we find that our soul, whenever it brings forth vowel sounds, makes
    • sounds, we press what is living in our soul down into the body; and
    • musical instrument for our soul to use. You will certainly have the
    • feeling that in every vowel there is something of the soul, immediate
    • vowel nature — the soul — strikes its chords.
    • say for the soul. Now we are driven to ask, what is the origin of all
    • soul-nature, manifesting itself through the vowels, strikes upon the
    • different inner soul.
    • soul strikes into it, and lives in it, so that the sound becomes the
    • body for the soul. You are immersed in cosmic music, cosmic song; you
    • airy forming of the sound the earthly image of a thing of soul and
    • spirit. The soul-and-spirit of sound belongs to the super-sensible
    • there it becomes filled with soul. Instead of being shaped and
    • inwardly ensouled.
    • living soul from the spiritual world.
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • most readily comprehensive to the soul, to the immediately sensitive
    • motifs of the musical creation out of his soul. We will discover
    • constituted. Man is capable of awakening higher faculties of the soul
    • inner soul organs of man can also be awakened in order that he might
    • soul, he ascends step by step. The first thing he experiences is a
    • sense world and yet can retain a soul content, his dream world begins
    • make an impression on his soul. The human being awakens each morning
    • soul experiences Devachan between two incarnations on earth, then we
    • may also say that during the night the soul feasts and lives in
    • which is the soul's true home.
    • the soul. The soul is the most closely connected with the sentient
    • body. The sentient soul [Rudolf Steiner distinguishes
    • and the actual individualized human soul, the content. The latter
    • consists of sentient soul, intellectual soul, and consciousness soul.
    • sentient soul represent a whole. In addition to these, man also possesses
    • a feeling or intellectual soul [Gemüts-oder
    • consciousness soul. The latter is connected with Manas, or spirit
    • (sentient) body, etheric body, and physical body. Sentient soul,
    • intellectual soul, and consciousness soul were prepared by man's
    • etheric bodies, but the higher soul members, including the sentient
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • human soul in such a definite, unique way. In doing this, we will
    • cast light on the very foundations of the soul.
    • forth by the human soul itself.
    • surging and swelling, it also directly affects the human soul. It
    • streams into the soul like the divine in its different forms. Hence,
    • it is understandable that the effects of music on the human soul are
    • human soul.
    • into sentient body and sentient soul was emphasized.]
    • man sleeps, the astral body and the sentient soul release themselves
    • Devachanic world, the soul absorbs into itself the world of tones.
    • the musical element, the cooperation of sentient soul and sentient
    • soul over the sentient body. It is possible for one who returns from
    • perceive the victory of the sentient soul over the sentient body, so
    • that the soul feels itself stronger than the body. In the effects of
    • a minor key the sentient soul vibrates more intensely and
    • one feels pain in the soul, the predominance of the sentient body,
    • soul.
    • of our soul, causing them to resound.
    • reflection of the soul, which in its incarnations must always
    • the human soul is an evolving entity, so its reflection here on earth
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • that lives as a question in many souls is what the relationship of
    • physical plane. Man has an individual soul here on earth, whereas the
    • animal has a group soul. Thus, the animals of a particular species
    • share a common group soul, which can be studied only by ascending to
    • the astral plane. In man's case, however, the soul is here on
    • developed itself upward, while the soul descended.
    • descends to meet it, so did the animal body and the human soul unite.
    • sentient soul, the intellectual soul, and the consciousness soul.
    • impossible, for the sentient souls hovering above are so delicately
    • bodies.” Gradually, however, the soul above became coarser and
    • between the two, and now the soul descended. Like a sword fits into a
    • scabbard, so the sentient soul fits into the sentient body. We must
    • into man the breath of life, and he became a living soul.” In
    • capable of developing warm blood links a soul to itself. As soon as
    • soul [Ich-Seele] was ready to unite itself with the physical
    • warm blood, be fructified with a human soul.
    • age, body and soul came in contact with each other only in the
    • new took place. The soul element penetrated more deeply into the
    • next stage will bring about the soul's descent into the fluid
    • element. The soul will then be capable of guiding consciously the
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • here on earth; speaking is the bridge between two persons. Soul
    • unites with soul. We feel that in speaking we have an essential
    • speech and song, he expresses his whole organization of body, soul
    • vowel element is the soul playing on this musical instrument. When
    • Through the vowels, the soul of man plays on the “consonantism”
    • extent, the soul makes use of the brain, the head-nerve organism,
    • producing vowel sounds, we actually push what lives in the soul
    • adding the consonant element. Surely you can feel how a soul quality
    • unless the vowel or soul element touches it. Many details point to
    • soul element. Why is that? The human organism while here on earth
    • The soul element (red), which expresses itself in vowels, pushes
    • becomes universal song. The soul-spirited substance of this vowel
    • revelation is ensouled. We thus can say that here on earth we have
    • (sketch on right, red), and the soul penetrates into it and lives in
    • it so that the tone becomes the soul's body.
    • soul-spiritual element. This soul-spiritual element of tone belongs
    • soul. Instead of being outwardly formed by the element of consonants,
    • the tone is inwardly filled with soul. This runs parallel to one's
    • musical element, which is becoming imbued with soul.
    • soul-consonant impression. Perhaps you behold Saturn behind Aries:
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • the subjective soul element relates itself to the musical element.
    • then outside himself; his soul swings back and forth between
    • soul element and enters that of matter. When we descend to the
    • contra-tones, our soul reaches down into the element of matter, and
    • we experience how matter strives to become musically ensouled. This
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • indistinct overlapping between the sentient body and sentient soul.
    • The sentient soul relates to the minor third, the sentient body to
    • is the experience of the fourth gained from the soul.
    • the form of the soul's composition is the same as clairvoyantly
    • with intuition. The form of the soul's composition during the
    • composition of soul need only be filled with vision. Such a
    • composition of soul is definitely present in the case of music.
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • similarly developed soul-spiritual organs in his astral body and “I”
    • before our souls some of the aspects that can illuminate that world.
    • soul-spiritual organs, these experiences do not reach ordinary
    • have described how the whole composition of human souls in the West
    • We have frequently described, however, this composition of soul, this
    • with fundamental changes in human souls. I said that this super-sensible
    • consciousness of the soul ceased to see supersensibly, to perceive,
    • because this human soul surrendered itself to the earth. You perhaps
    • age. For this reason, the soul element also stood in a different
    • experience of tone structure was completely different, and the soul
    • within himself but one that was felt to be an expression of the soul
    • conviction must grow in us that we must return to that human soul
    • composition, and it will arise again if the soul perceives [erkennt],
    • through it. Such a composition of soul will understand vividly once
    • because otherwise the soul qualities of human nature will simply
    • arid in his soul; the arts, grown one-sided, would dull his soul; and
    • the one-sided religion would drain him of his soul altogether, if he
    • humanity weighted heavily on the deeper Greek souls.
    • of his soul experience he must reach the point where he rediscovers
    • if, with a shaken, but intensely and warmly striving soul, we are
  • Title: The Occult Basis of Music
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    • experience which penetrates the soul; and for those who want to understand
    • draw his music from out of his own soul. Whence he derives it we shall
    • physical body; his soul then lives in the devachanic world. Its
    • harmonies make an impression on his soul; they vibrate through it in
    • everyday world. Just as the human soul has a sojourn in Devachan
    • between incarnations, so we can say that during the night the soul
    • membered into him, is the Sentient Soul. Just as a sword and its
    • scabbard form a single whole, so do the Sentient Soul and the sentient
    • body. Man has also the Intellectual Soul, and as a still higher member
    • the Spiritual Soul, which is linked with the Spirit-self, or Manas. In
    • Sentient Soul, are in the devachanic world. This is not like living in
    • When he returns from this devachanic world, his Sentient Soul, his
    • Intellectual Soul and his Spiritual Soul are permeated with its
    • to work from out of his Intellectual Soul and his Sentient Soul on to
    • image of his spiritual home. It naturally elevates the soul to feel
    • simplest souls are so receptive to music. A man then feels himself
    • soul, and because they are related to the spiritual world and are



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