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Searching Rudolf Steiner Lectures by GA number (GA0283)
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    Query was: whole
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Speech and Song
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    • his whole nature — body, soul and spirit — not only
    • song or an articulate sound in speech, his whole body really takes
    • place through the whole human being. Our human body therefore, as to
    • minute the system of head and nerves. The whole structure of the head
    • whole arrangement of its plastic structure here on earth, has to
    • because the earthly position of equilibrium and the whole system of
    • forth not a single note, but a whole world of sound. Then as the
    • man speaks, he makes use of his whole body. The consonant nature
    • And if we conceive the whole twelve consonants, cosmically
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • it is placed within the sentient body. Just as a sword forms a whole
    • sentient soul represent a whole. In addition to these, man also possesses
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • speech and song, he expresses his whole organization of body, soul
    • whole organism is actually involved, and what takes place in the song
    • is a one-sided view of the whole matter, however. Another activity
    • this whole structure — it sounds as if I speak figuratively,
    • whole world of tones resounds, and another tone world sounds forth as
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • experience involves the whole human being, and the ear's
    • experienced with the whole human being. This experience reaches our
    • really an experience of the whole human being.
    • making the whole musical feeling an inward experience; the human
    • this process. Only an understanding of the whole human being —
    • the musical experience actually penetrates the whole human being. The
    • whole experience naturally penetrates today into everything musical.
    • appreciation for the whole third-complex sometime after the age of
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • does this really mean in relation to the whole musical experience? It
    • to become acquainted with this whole matter. The center of music
    • experienced in it. The whole emotional nature of man, however, is
    • musical element really pervades the whole human being.
    • the whole human being who experiences the musical element as a human
    • only you depict the whole musical experience, and if you do this
    • music is experienced by the whole human being. The wind instruments
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • significance for the whole evolution of humanity in the last few
    • have described how the whole composition of human souls in the West
    • are prepared in humanity through whole epochs of time and are connected
    • they actually are situated between man and the whole tapestry of
  • Title: The Occult Basis of Music
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    • scabbard form a single whole, so do the Sentient Soul and the sentient



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