Searching Rudolf Steiner Lectures by GA number (GA0286)
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- Title: Lecture: And The Temple Becomes Man
- what the earlier temples in that part of the world may have been, it
- world, together with the Mystery they contain.
- and the all-pervading light. Could there be any sight in the world
- its prototype or model exist anywhere in the world?
- now look for something in the visible world that is as whole and
- mysterious world within himself but able to let the forces of this
- inner world stream perpetually through his being, directing his gaze
- the annals of world-history tell us: The Temple is MAN!
- in the world of sense. In other words: The spirit that is received
- world of sense if it is to be expressed in Art. No epoch except our
- with the Spirits of the surrounding world, with the all-pervading
- world-mysteries and entrusts them to man's keeping. The word
- outside appearance is there for the secular world with
- secluded from the material affairs of the world and open to
- the spiritual world be born from the Spirit of man as the
- then placing them before the world. Styles of architecture are
- art of all is the world itself Macrocosm or Microcosm! In
- olden times the secrets of the world were expressed in pictures, or
- explain the secrets of the world. In comparison with
- prosaic Theosophists; we have to strip the world bare of its secrets
- Maximum number of matches per file exceeded.
- Title: Ways/Architecture: Lecture I: The Acanthus Leaf
- anything claiming to be new is placed before the world. We
- conception of the world of architectural, sculptural and
- it is as if Atlas is bearing the world, but the form is still
- world above the grave of a girl who had died, we realise that
- nowhere to be found in the outer physical world. If anything
- from the outer sense-world, and try to find an environment
- something or other in the external world. Real art does not
- of clairvoyance leads man to the realm lying behind the world
- higher worlds cast their shadow pictures, as it were, down to
- Title: Ways/Architecture: Lecture II: The House of Speech
- tasks before us in the objective world.' All that can ever be
- wrong-doing from the world, true redemption, the turning of
- within walls. The whole world was felt by the Greeks and
- sought now for a distinct image of the world whereas formerly
- they had taken the world itself and only placed within it,
- elsewhere in the physical world, represent an onward flowing
- the outer physical world than melodies are present there.
- the world a relief which is full of meaning, only we pay no
- spiritual, musical harmony of the outer with the inner world.
- with the spiritual world when it sleeps during the night and
- soul is connected with the spiritual world between death and
- of the abyss; the stations on the path to the spiritual world
- spiritual worlds, or traverse these worlds unconsciously,
- showing us what our relation to the spiritual worlds must
- spiritual worlds are speaking through the forms in the
- hearts on love for the world of man and of spirit, to the end
- thus spring up in the world. Let us realise the living nature
- the world of the Spirit itself must speak through the
- Title: Ways/Architecture: Lecture III: The New Conception of Architecture
- but united with the spiritual world. And the token for the
- the spiritual world, was the Temple standing there like an
- the spiritual world.
- for forms to speak from the spiritual world? It is indeed
- relation with the outer world. The simple circle makes us
- feel that nothing of the rest of the world is there, only
- the circle is alone in the world. The variation in the line
- world. If we really live into the form of the second
- feel it as one line in the astral world we know that this
- enters the physical world. It is an unity because it ever and
- limits and pay heed to the world with which it is connected.
- world can be expressed. Nobody who begins to think out all
- the outer world and complex in the spiritual world.
- enters the world, is really a highly complicated being. When
- he enters the world — as I have often said — he
- world bestows in that epoch.
- worlds. We are standing at a definite point in the evolution
- Title: Ways/Architecture: Lecture IV: True Aesthetic Laws of Form
- of the external physical world than of mere speculation. Your
- the spiritual world of which man is an integral part and of
- ‘natural laws’ of the outer physical world, and
- understanding of the spiritual world imparted by the
- thus giving ourselves the colouring of the outer world, we
- should have quite a different relationship to the world of
- world, and all the different forms in art were an expression
- world of sense. Nothing flowed into him from the spiritual
- world and it became necessary to resort to a different realm.
- his way into the spiritual world, when he must pass over from
- spiritual world and at the same time brings down all that
- must be brought down from the spiritual world. I have already
- that the World-Spirit demands us to help in the task of
- the World-Spirit working in human evolution, of Whom we try
- power flowing into our inner being from the World-Spirit Who
- Title: Ways/Architecture: Lecture V: The Creative World of Colour
- The Creative World of Colour
- THE CREATIVE WORLD OF COLOUR.
- Colour: Part Three: The Creative World of Colour: Lecture I.
- us in the eyes of the world, saying, for instance, that we
- year 2000 before the world will again reveal such
- himself and his own particular world of form?’ A study
- contemplators of the world, each from a certain point of view
- and what they see, what strikes them in the world, this they
- of the world—theoretical from its very foundations
- between modern science and the conception of the world held
- world connections — the substance that must indeed well
- up from these world connections before art can come into
- in the external world.
- imagine that animals, even higher animals, behold the world
- the world in his ego. So far as his form was concerned he had
- the paths of return to the flowing world of colour, for as I
- into this world by the creative elemental powers of the
- externally is the world — all that for which he longs
- will really be able to fathom what lives in the world of form
- of the elemental world, for this world is living.
- Maximum number of matches per file exceeded.
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