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Searching Rudolf Steiner Lectures by GA number (GA0289)
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Query was: follow

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: The Building at Dornach (Bn/GA 289): Lecture I: The Goetheanum
    Matching lines:
    • By this means great progress can be made along the lines followed in
    • constructed that their lines follow the distribution of weight of the
    • for the motive of the side-wall which is to follow. When you go in at
    • has been made to follow the principle of organic growth along an axis.
  • Title: The Building at Dornach (Bn/GA 289): Lecture II: Bau Lecture II
    Matching lines:
    • the one out of the other. Look at them again - this pillar and the following
    • one. This is a point which must be quite clearly stated. If you follow
    • It is just when we follow the idea of evolution in Art asp I had to
    • to explain to you this principle of evolution. Granted we had to follow
    • let us understand how the following form grows out of this one. Here
    • grown out of the previous one. Follow the development further so that
    • that I have often pointed out If we follow the principles of evolution
    • we are following our everyday concerns, cooking or tending machines
    • the moment we follow with the eye every turn, every curve — where
    • we with the eye of the soul follow the physical eye — where we
    • or Sun, Mercury pillar etc. — where we follow the forms and see
    • to follow these forms.
    • pillars follow one after another so that we can see how one forms. as
    • and everything that follows can become more and more perfect. The beginning
    • for utility must follow some such inner creative principles. Secondly,
    • easily follow what I mean. But it becomes easier and easier as time
    • who can follow the things with really inner understanding, for you see
  • Title: The Building at Dornach (Bn/GA 289): Lecture III: Lecture 3
    Matching lines:
    • is that which is aimed at here. If we follow the history of painting
    • out into the space in which the colour is manifesting, to follow the
    • follows naturally in contrast to what one generally imagines, i.e. the
    • these lantern slides of colour-pictures somewhat as follows: “What
    • belongs to what follows on here on your left. The composition is of
    • with a blue border, to see a head in profile. This follows of itself
    • imperfect. The perfect will undoubtedly follow out of that which has
    • individual men among the earlier followers of Anthroposophical Spiritual



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