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Searching Rudolf Steiner Lectures by GA number (GA0289)

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Query was: form

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: The Building at Dornach (Bn/GA 289): Lecture I: The Goetheanum
    Matching lines:
    • conception of the whole may be formed.
    • artistic forms and figures. Once again, I should like to repeat what
    • with the housing of our activities, every detail of form and figure
    • any other education than that of thought. When forms have to be created,
    • succeeded in creating artistic forms. All that has been achieved is
    • new forms, or with giving shape to what is capable of representation.
    • of life in course of formation. modern humanity has not much living
    • in our human civilisation in the form of pictures; they dread it. But
    • again filled with a conception of the world not only capable of forming
    • from itself thoughts, but of creating forms and permeating the whole
    • (1st. Picture) which could be in no other form. This is the feeling
    • to study the different forms.
    • platform, not absolutely on the ground.
    • structure forms, and to discover organic ones. Of course those people
    • this introducing the forms of architecture into organic forms. All these
    • way of thinking. This does not imply that the form of an organic being
    • is symbolically expressed in the structural forms, it means that in
    • sort of intuitive thought-form is necessary. We shall have to become
    • accustomed to these intuitive forms of thought. And we then ought to
    • be able to find these architectural forms even coming of themselves
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  • Title: The Building at Dornach (Bn/GA 289): Lecture II: Bau Lecture II
    Matching lines:
    • humanity. The outward forms point to this something that is new in the
    • but that it is a part of the whole form, as if the organ had actually
    • out of the first and where also the architrave motive is transformed
    • in a developing metamorphosis, every succeeding form springing after
    • its own law from the form which precedes it. You see here how the second
    • you take the forms which reach up from below and those which reach down
    • the foregoing leaf, then you will realise how the form of the second
    • pillar develops out of the form of the first pillar. The whole of it
    • one form into another for it is just in this change from one form into
    • change from Saturn formation into the Sun formation. I do not mean to
    • here in the sequence of the form. (4) We will now see the second pillar
    • how the architrave motif progresses, each form building itself up out,
    • of the form that has gone before. Whenever you see a curve or a turn
    • own form but always in relation with the form that has gone before and
    • the simple forms to the more complicated. You see here that the fourth
    • from the simple form which was there at the beginning to these very
    • complicated forms.
    • 5th capital by itself. Perhaps the form of this capital suggests to
    • again change this form according to law and also according to the principle
    • of progressive change the next form will develop out of this one.
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  • Title: The Building at Dornach (Bn/GA 289): Lecture III: Lecture 3
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    • in my Mystery Play The Portal of Initiation, to evolve form
    • at the initial stages. To allow form to appear as the creation of colour
    • formed in colour, if we are able to draw the form out of the colour.
    • the elemental beings which develop their forms of themselves out from
    • feel that the old forms of art are bankrupt, that they can go no further,
    • in colours, in forms, just as we think in ideas and thoughts. We must
    • be able to live in colours, in forms. If our Building is to be what
    • The spiritual is essentially brought to expression in the forms of the
    • the spirit, out of itself creating form. The psychic finds its manifestation,
    • course entirely derived from the colour; yet it also forms an element
    • of this child here if you keep in mind the two adjacent forms.
    • (the Graeco-Latin) period of civilisation. A sort of form is given here
    • of God, an Apollo-like form, as the inspirer. That which, through inspiration,
    • is able to enter a human form of the fourth post-Atlantean period of
    • a form on the wall, there is nothing in his soul that,can meet such
    • be willing to answer, because for him visions have to form pictorially,
    • they simply appear in space as forms in a vision. He perceives nothing
    • form, which is inspired just like this one, in the neighbourhood of
    • that which has already been-represented in human form.
    • model I have formed a face, and it resembles it. Not in this way will
    • Maximum number of matches per file exceeded.

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