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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Colour: Part One: Colour-Experience (Erlebnis)
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    • Colour: Part
    • Part One
    • creation. There are three parts to this lecture series, each part
    • integral a part of carbon that the latter really owed its whole
  • Title: Colour: Part One: The Luminous and Pictorial Nature of Colours
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    • Part One
    • creation. There are three parts to this lecture series, each part
  • Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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    • Part One
    • creation. There are three parts to this lecture series, each part
    • the physicists of colour have regarded the theory of colour as a part of
    • absence of green colour in certain plant parts and the sun. The sun
    • We arrive at that particular heavenly body which represents the
    • cosmic forces play a part, that we have in the colour-formation of
    • You notice particularly in painting towards the end of the nineteenth
    • substances, the lifeless objects. In this case particularly it is
    • inanimate objects is connected with this departure of the other
    • we wish to understand that particular light that confronts us from the
    • extra-terrestrial explanation. And thus the mineral component parts of
    • merely of the pictorial, and so it will depend on imparting the
    • It is true one must develop most particularly the feeling for what
    • then, since something in the earth departs from it and returns again
    • particularly the case with such a fluctuating element as in the world
  • Title: Colour: Part Two: Thought and Will as Light and Darkness
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    • Part Two
    • creation. There are three parts to this lecture series, each part
    • free-will. These two particular tendencies apply to western human
    • and is shown by the fact that Schopenhauer has a particular preference
    • becomes particularly observable if considered from the point of view
    • perpetually dying part of it. Those who have this particular tendency,
    • become, for the most part, men of thought. And in dying the world
    • particularly proud when they can put natural phenomena into terms of
    • have the darkness, where the green is darkened into blue. The part
  • Title: Colour: Part Two: The Connection of the Natural with the Moral-Psychical. Living in Light and Weight.
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    • Part Two
    • creation. There are three parts to this lecture series, each part
    • composed of two separated parts. –Ed.]
    • particularly in the so-called exact sciences. Unfortunately this
    • are pursued today for the most part in the most materialistic way. And
  • Title: Colour: Part Two: Dimension, Number and Weight
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    • Part Two
    • creation. There are three parts to this lecture series, each part
    • Let us first put the question to ourselves: is it an essential part of
    • for the greater part of the time between falling asleep and awaking.
    • part of the surrounding world.
    • its real physical nature is the part that can be weighed or counted,
    • substance there is a tendency to scatter to the uttermost parts of the
    • described man when he is asleep, if they overdid their part and wanted
    • get more and more physical, Art departs further from us. No one will
    • concepts left. Space, Time, Movement are abolished. Even apart from
  • Title: Colour: Part Three: The Creative World of Colour
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    • Part Three
    • creation. There are three parts to this lecture series, each part
    • particular work of art, but that he created all he did out of the
    • specialist and soul particularly strikes us when we consider the
    • part problems that are not artistic ones but psychological. The way in
    • particular point of view, and they put into form what they see and
    • impress it on certain parts of his skin. Such was still the case
    • expressed itself again outwardly in certain parts of his body. Man had
    • made part of the living world, because it shines in colour. If you have
    • as the upper part of the human head, unless he is in a position to
    • participate in this soul.
  • Title: Colour: Part Three: Artistic and Moral Experience
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    • Part Three
    • creation. There are three parts to this lecture series, each part
    • small part of the spiritual-scientific impulses which can flow into
    • into the fleeing red. We shall then be taking part with our whole soul
    • modified form, is yet desirous of imparting something to us, instead
  • Title: Colour: Part Three: Colours as Revelations of the Psychic in the World
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    • Part Three
    • creation. There are three parts to this lecture series, each part
    • completed the circle. Thereby this living participation in colour
  • Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
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    • Part Three
    • creation. There are three parts to this lecture series, each part
    • particularly in Central and Eastern Europe, — if raised as a unifying



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