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  • Title: Influence of Spiritual Beings Upon Man: Contents
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    • soul nature and these spiritual beings man can grasp the space
  • Title: Influence of Spiritual Beings Upon Man: Lecture I
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    • space in relation to the rest of the body and that then it becomes smaller
  • Title: Influence of Spiritual Beings Upon Man: Lecture II
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    • shall make a rather far-reaching sweep into cosmic space. This will
    • the spirit throughout cosmic space. We shall study a different aspect
    • the things of outer physical space. In this way the earth-beings give
    • This Saturn once glimmered, as it were, in cosmic space, as the first
    • that there is interaction between everything in cosmic space, that
    • everything in cosmic space is interconnected, inter-related. But it must
    • in cosmic space. Gradually we begin to realize that the forces streaming
    • cosmic space.
  • Title: Influence of Spiritual Beings Upon Man: Lecture III
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    • of the original nebula someone had placed a chair out in universal space,
    • system has separated itself off into globes in space. The experimenter
    • floating in space in the far-distant past, the first embodiment of our
    • sees when he sets out a chair in cosmic space and watches the proceedings,
    • in space enters into joint activity in most varied ways; one cannot
  • Title: Influence of Spiritual Beings Upon Man: Lecture IV
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    • that is connected with the vast far-reaching view into cosmic space
    • at that time in universal space — naturally that is a phantasy
    • would think that there was a space filled with warmth, you would enter
    • a space like an oven. The existence of ancient Saturn would have been
    • had sat there and looked out into cosmic space, he would not have seen
    • through space. Think of yourselves on the old Moon and your egos outside
    • express themselves as sheer egos out of space. They have given up to
    • we look into cosmic space, spiritual beings and their deeds. Through
  • Title: Influence of Spiritual Beings Upon Man: Lecture V
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    • and lifted itself, so to speak, out of the darkness of cosmic space,
    • it was a space glowing with inner warmth, and living within it were
    • environment simply through the fact that one felt that certain spaces
    • the Earth. Imagine how this cosmic body appeared in universal space.
    • warmed but sending its light out into space.
    • sun, went out into cosmic space and substance therefore densified very
    • music from cosmic space gives rise to most manifold forms and figures,
    • in space. That only began after the moon had left the earth.
    • there is not only the mineral warmth that arises externally in space,
    • must show how our studies which have swept out into cosmic space are
  • Title: Influence of Spiritual Beings Upon Man: Lecture VII
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    • other hand, where there is mineral they perceive a hollow space — just
    • perceive as a hollow the space filled up here on earth by a mineral.
    • hollow space. On the other hand, their consciousness projects up to
  • Title: Influence of Spiritual Beings Upon Man: Lecture VIII
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    • our existence. Much of what interpenetrates our spiritual space and
  • Title: Influence of Spiritual Beings Upon Man: Lecture XI
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    • soul nature and these spiritual beings man can grasp the space
    • worlds. In those forms of art expressed in space we have on earth physical
    • and that is the art of music, the phonetic art. A space through which
    • might call the “forces of space.” Since in our present civilization
    • man is so much estranged from the spiritual world, these “space-forces”
    • going through physical space, that it was by no means an indifferent
    • empty space but interwoven by forces in every direction. There was a
    • feeling for this distribution of forces in space which was caused through
    • for the forces working in space. You could see in the work of such a
    • painter how he paints a group of three angels in space. You stand before
    • through the active forces of space. People who make this inner dynamic
    • in space. You will find this in the case of many of the older painters,
    • itself in space.
    • to and fro in space which are to be felt so strongly are realities,
    • actualities — and all architecture proceeds out of this space-feeling.
    • brick in the lines there already in space — one does nothing at
    • all but make visible what is already present in space ideally, spiritually
    • space was possessed by the Greek architect who brought to manifestation
    • in all the forms of his temple what lives in space, what one can feel
    • purely a reproduction of spiritual forces to be found in space, and
    • Maximum number of matches per file exceeded.



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