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Searching The Inner Nature of Music and the Experience of Tone
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Query was: concept

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture IV
    Matching lines:
    • lives in the air. The scientific concept, however, that the vibration
    • of the air is the tone is a naïve concept indeed. Imagine
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • must be pointed out that all the concepts used in other areas of life
    • is hardly possible to discuss the musical element in the concepts to
    • avoid the ordinary concepts that otherwise we use to grasp our world.
    • must repeat that all concepts come into confusion in encountering the
    • one that must reach beyond ordinary concepts — can illustrate
    • naturally gets into the habit of speaking in general concepts even in
    • concepts that I use only as substitutes and in each case resort to
    • we always dwell within our brains with our crude and clumsy concepts
    • instant we develop concepts about it. This is because the unfolding
    • of concepts takes place on a level above that of the musical realm.
    • itself, the concept arises that becomes objectified in sound [im
    • laut]. In the sound of speech, the concept really cancels out the
  • Title: Lecture: Inner Nature of Music: Lecture VI
    Matching lines:
    • conceptual faculty — nor should it sink down completely into
    • grasped conceptually and what he wills to do. Music, however, does
    • concept. Through melody the head becomes open to feeling, to actual
    • told you yesterday, however, one must forego concepts; abstract
    • conceptualizing will get you nowhere here.
  • Title: Lecture: Inner Nature of Music: Lecture VII
    Matching lines:
    • resounds as an artistic conception from the ancient mysteries. From



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