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Searching The Inner Nature of Music and the Experience of Tone
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture I
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    • the will. Tone, however, is a direct expression of the will itself,
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • which finds expression in the words, “In nature, it is the
    • completely to expression nor attain in her creations, at least not
    • intentions of nature through to the end and expresses them in his
    • expression. The musician hears the pulse of the divine will that
    • flows through the world; he hears how this will expresses itself in
    • will. Music is the expression of the will of nature, while all the
    • other arts are expressions of the idea of nature. Since music flows
    • nearer the heart of the world and is a direct expression of its
    • expresses it in his philosophical formulations.
    • above. One who understands this expression in its highest sense
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • wishes to come to expression on the physical plane. What significance
    • resounds. We are concerned here with the soul's expression in
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • language is an expression of our earthly thoughts. These earthly
    • language, and here we acquire the means that serve to express our
    • expression through tone and word to the cosmological considerations
    • Goetheanum. As an expression of inner satisfaction over this
    • is a reflection of the spiritual. When man expresses himself in
    • speech and song, he expresses his whole organization of body, soul
    • expressions were not differentiated into song and speech; instead,
    • at all, one can say that the human organism is expressed sculpturally
    • discover a self-expression of the human being in each word and tone.
    • The soul element (red), which expresses itself in vowels, pushes
    • inspiration, a new element begins to express itself, namely the
    • Testament expresses this in a different way. When man moves away from
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • may express it in this way — actually to overcome the tone's
    • “I sing” was not the appropriate expression. It became
    • post-Atlantean epoch and with it the ability to express major and
    • embryonic development and today expresses itself in our movements and
    • — if I may express it in this way — and we have ascended
    • felt it; in order to express it, we must word it like that —
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • expression referring to vision for an experience that has to do with
    • akin to an expression of the word. One sang, but this was at the same
    • human feeling. What is expressed in harmonies is experienced by human
    • the major third. The facts of human evolution are expressed in
    • these forms express the experience of the fourth or the fifth.
    • harmony through rhythm into willing — finds emphatic expression
    • expressed in the arms. All percussion instruments — or those in
    • the musical element is expressed in the third part of man's
    • piano could become an expression of the musical element. Naturally,
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • paradoxical expression — he cannot bring his consciousness into
    • physical-sensible world. There, I employed philosophical expressions,
    • within himself but one that was felt to be an expression of the soul
    • jubilation, produced by the gods as an expression of joy over their
    • powers and brought this to expression in their cosmic lamentation.



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