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Searching The Inner Nature of Music and the Experience of Tone
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Query was: instrument

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Back Cover
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    • origin of musical instruments from imaginations that accompanied
    • human organism and then to the three types of orchestral instruments
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • it is really a musical instrument. Indeed, you can comprehend
    • standard musical instruments, a violin or some other instrument, by
    • reminiscent of musical instruments, and the totality and harmony of
    • vowel element is the soul playing on this musical instrument. When
    • of the human bodily instrument. If we examine the speech of
    • [“innerviert,” makes inward] the instrument that
    • toward the body, which serves as the musical instrument only by
    • for the vowels. The sculptural instrument of the body is really dead
    • Lacking the bodily instrument, one enters a tonal world colored in a
    • wonderful cosmic instrument, and the players of this instrument of the
    • instrument.
    • to play on the instrument in song, if one extracts the vowel element,
    • brings forth and shapes the instrument, the other plays on the
    • instrument.
    • the already formed human body as an instrument, but with his tones he
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • the air. Even if an instrument other than a wind instrument is used,
    • perception of instrumental music is a quite complicated process about
    • emancipated instrumental music is connected with that. One can now
    • instrument alone; in the very earliest time he could not have heard
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • He required no instrument in order to produce outwardly the interval
    • outer instrument in order to be objectively certain of the fourth.
    • instrument. He had an impression, an imagination, as it were, of a
    • wind instrument, or of a string instrument. Musical instruments
    • appeared to man at first as imaginations. Musical instruments were
    • the instrument. This is the transition of the musical element from
    • earlier ages, the relationship of musical man to his instrument must
    • the need of amplifying his voice with an instrument. The process of
    • instruments in order to reach this cosmic musical element.”
    • or instrumental music. The element of harmony takes hold directly of
    • the elements of instrumental music. Only then should the child's
    • imaginations, namely the instruments, he fashions here in the
    • physical, out of physical substance, as his musical instruments. To
    • the extent that they arouse the musical instruments, man simply
    • spiritual. Into those spaces he put the physical instruments.
    • where musical instruments resound today, spiritual entities stood
    • therefore, he requires musical instruments.
    • musical instruments basically are a clear reflection of the fact that
    • music is experienced by the whole human being. The wind instruments
    • prove that the head of man experiences music. The string instruments
    • Maximum number of matches per file exceeded.



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