Searching The Inner Nature of Music and the Experience of Tone
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- Title: Lecture: Inner Nature of Music: Lecture I
- idealized reality of the human world. The same is true of painting,
- in which today (1906) only an immediate impression of reality is
- of reality. One who wished to apply this approach to music, however
- Title: Lecture: Inner Nature of Music: Lecture II
- as the world surrounding us that appears to us as reality. Once a
- are not based on personal experiences of the reality of the world.
- painter, for example, goes far beyond the reality of colors in the
- outside into itself. An utterly unselfish corporeality, fully pure
- victory of the spiritual over merely animated corporeality
- astral corporeality, but the world of tone speaks to the innermost
- Title: Lecture: Inner Nature of Music: Lecture IV
- in reality to the super-sensible world, and what lives here in the air
- figuratively, this description is a reality. Imagine the earth,
- but it is not so, this is a reality; imagine yourself out there in
- Title: Lecture: Inner Nature of Music: Lecture V
- the earthly corporeality — come into being only in the course
- Title: Lecture: Inner Nature of Music: Lecture VII
- He brings the musical element close to his corporeality. He
- interweaves it with his corporeality. Along with the experience of
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