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Searching The Inner Nature of Music and the Experience of Tone
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Contents
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  • Title: Lecture: Inner Nature of Music: Foreword
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    • Foreword
    • Foreword
    • that certain premises were taken for granted when the words were
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • the letters, and man is the word that is composed of these letters.”
    • it is placed within the sentient body. Just as a sword forms a whole
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • which finds expression in the words, “In nature, it is the
    • words. All true inspiration originates on this plane, and in this
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • between the two, and now the soul descended. Like a sword fits into a
    • understand in this sense the words of the Bible: “God breathed
    • order to understand these words fully, one must know the various
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • Word of the universe, the universal language, from which all things
    • life in the Logos, in the Word of the universe. It is therefore
    • expression through tone and word to the cosmological considerations
    • discover a self-expression of the human being in each word and tone.
    • this: take, for instance, the word “mir” (“mine”;
    • boy, I couldn't imagine that the word was spelled m i r.
    • adequately in words, one can say that it consists entirely of vowels.
    • were closer to the primeval languages that the words for things of
    • the super-sensible world were actually vowel-like. The Hebrew word
    • Using mostly vowels, the words naturally were sung.
    • to use words somewhat differently from what is customary in today's
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • I can only describe with the words, “I have found my ‘I’
    • The particular words I use here are not important; what is important
    • limb system — in other words, his most physical component —
    • felt it; in order to express it, we must word it like that —
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • akin to an expression of the word. One sang, but this was at the same
    • spoke of cherries and grapes one used earthly words; if one spoke of
    • them as such today — they are the words of language. The
    • incarnated into the elements of words. This was a step into the
    • beings, in other words, in the age of introversion. One must seek the
    • retains the tone structure. Later, he links it with the word, which
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • feeling. We have described in different words what human beings
    • of the word empty. The fifth has become empty because the gods have
    • first tone of the following octave. It is difficult to put into words
    • experienced by man. In other words, man not only will experience



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