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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- ourselves directed to influences coming over from the East. I
- from the East, first had to spread. Nevertheless, Christianity as
- fertilising influences from the East, the fruits of Oriental
- came over, so rich in fancy and imagination, from the East. In
- were evolved more in the East of Europe and in Greece. While in
- over from Eastern tradition the earliest representations,
- pictures lose least of all when shown in lantern slides. We
- the Infinite, the Immortal shall now arise within the breast of
- great World. This, then, is St. John, writing, or at least
- "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-034_Feast.jpg" align=
- 34. Giotto: The Feast of Herod. (Santa Croce, Florence.)
- "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-041_Feast.jpg" align=
- 41. Tommaso Fini (Masolino): Feast of Herod.
- of the soul. And now, coming across from Central and Eastern
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- Of Raphael we may say, he carried Urbino — East-Central Italy
- corner of East-Central Italy.
- the peculiar nature of that Middle-Eastern part of Italy. In spite of
- Title: History of Art: Lecture III: Dürer and Holbein
- most wonderfully with the East. When today we read or hear of the
- expressiveness of soul, not in the least immersed in any Universal
- asleep, getting least light of all, more or less in the shade. Then
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- again — the Christmas and Easter Plays, and Plays of the Three
- Title: History of Art: Lecture V: Rembrandt
- at least a few of his main works, — only then do we realise how
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- His salvation by the overcoming of the Beast. You are familiar with
- Title: History of Art: Lecture VII: Representations of the Nativity
- mainly with the story of the Three Wise Men of the East — the
- East — we always find a direct expression of the
- of the Three Wise Men of the East cannot really be understood with the
- to bear on all that is connected with the Wise Men from the East must
- of the East came to the birthplace of Christ Jesus, led by the Star which
- clairvoyance in the old atavistic sense. But the Wise Men of the East
- over largely from the East. In a most natural way the typical representations
- 39. Giorgione. The Wise Men of the East. (Vienna.)
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- would certainly fall overboard at the least breath of wind. In spite
- the laws of perspective are very strained, to say the least. But he
- Title: History of Art: Lecture IX:
- 2. Dying Warrior. Eastern Pediment. Temple of Aegina.
- 11a. Drawings of the eastern pediment.
- 11b. Remains of the left side of the eastern pediment. (Bristish
- the eastern pediment. (British Museum, London.)
- 11e. Far right of the eastern pediment.
- pupils. The next group is from the Eastern Frieze:
- 12. Poseidon Group. (Eastern Frieze.)
- repose; it must represent moments which can at least be imagined —
- Eastern door was also given to him to do. It represents scenes from the
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