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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- the West, in Italy, men were more of the opinion that the Saviour
- was transplanted into Italy. And now, — almost all the
- Italy where Raphael and his predecessors had their home, we see
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- were then enacted in Italy. Leonardo's whole life — his artistic
- albeit less in Florence than in the rest of Italy. Then once more the
- Reformation, which spread with comparative speed, even to Italy; and he
- Of Raphael we may say, he carried Urbino — East-Central Italy
- corner of East-Central Italy.
- the peculiar nature of that Middle-Eastern part of Italy. In spite of
- We see that Florence in the midst of Italy, at a time when Christianity
- Title: History of Art: Lecture III: Dürer and Holbein
- Italian Renaissance, the great masters of Italy.
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- when the High Renaissance in Italy had not as yet begun. These
- Title: History of Art: Lecture V: Rembrandt
- Mid-European humanity. He never even saw Italy. He had no relation to
- from Italy, telling of all the destinies that overcame Mid- Europe.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- at home in Italy, and thence the priests and monks absorbed and carried
- Title: History of Art: Lecture IX:
- saying, when he felt in Italy the echo of the nature of Greek Art. I
- representations of Greek sculputre. Goethe was writing from Italy to
- his friends in Weimer. He had seen something in Italy of the Grecian
- with the laws of the great Universe. Alread before his journey to Italy,
- Goethe was a young man, or when he travelled in Italy, there was still
- and 13th centuries in Italy, when through manifold circumstances they
- was in Italy that the Antique came to life again. On the other hand,
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