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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- 19. Giotto: The Ascension.of John the Evangelist. (Santa
- 20. Giotto: St. John in Patmos. (Santa Croce,
- how the artist seeks to represent the inner life of St. John,
- great World. This, then, is St. John, writing, or at least
- 36. Giotto: Birth and Naming of John the Baptist. (Santa
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- 13. St. John the Baptist. (Louvre. Paris.)
- Title: History of Art: Lecture III: Dürer and Holbein
- 6. Saint John (Gallery of the Cathedral
- 44. Dürer. Heads of St. John and St. Peter.
- opposite her, perhaps, St. John, a great Cross with the Christ in
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- There is Mary, there is St. John, and in the center the Christ,
- appears in the St. John and in the Mary-Figure, as the power that
- 22. St. James and St. John. (Cologne Cathedral.)
- 24. St. John the Baptist. Philip the Bold. The
- St. John the Baptist. Philip the Bold.
- 36. St. Matthew. St. Mary. and St. John
- 37. St. Matthew. St. Mary. and St. John
- Title: History of Art: Lecture V: Rembrandt
- 513. Sermon of John the Baptist. (Berlin.)
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- 4. John
- is Mary; that on the right is St. John. Here, then, we find ourselves
- motif of God the Father with Mary and St. John.
- figures of Mary and St. John) — that a Southern artist would have
- 26. John the Baptist and Christopher
- Title: History of Art: Lecture VII: Representations of the Nativity
- St. John) — in the composition there is something which will strike
- Title: History of Art: Lecture IX:
- 67. Donatello. St. John Baptist. (Campanile. Florence.)
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