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Searching The History of Art

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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
    Matching lines:
    • Leonardo da Vinci,
    • union of all these impulses in the great artists, Leonardo,
    • Michelangelo and Raphael. Let us observe a few of Leonardo's
    • high degree, the Leonardo da Vinci, there is a working-together
    • 61. Leonardo da Vinci: Sketches and Caricatures.
    • have selected some sketches and drawings by Leonardo, from which
    • characteristic of Leonardo how radically he seeks to bring out
    • 62. Leonardo da Vinci: Madonna detta. (Eremitage, St.
    • 63. Leonardo da Vinci: Heads of Apostles. (Weimar.)
    • Leonardo is at pains to study the single human characters. We see
    • 64. Leonardo da Vinci: Last Supper.
    • 64a. Leonardo da Vinci: Heads of Apostles. (Weimar.)
    • 65. Leonardo da Vinci: Portrait of Himself. (Milan.)
    • 66. Leonardo da Vinci: St. Jerome. (Vatican. Rome.)
    • 67. Leonardo da Vinci: Adoration of the Magi. (Uffizi.
    • "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-074_Pope_Leo.jpg" align=
    • 72. Raphael: Pope Leo X. (Pitti Gallery. Florence.)
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
    Matching lines:
    • Leonardo, Michelangelo and Raphael
    • Leonardo, Michelangelo and Raphael
    • Leonardo,
    • wondrously united in Leonardo, in Michangelo and in Raphael. Yet at the
    • were living, at the beginning of the 5th post-Atlantean age. Leonardo
    • was born in 1452, Michelangelo in 1475 and Raphael in 1483; Leonardo
    • say artists such as Raphael, Michelango and Leonardo were by no means
    • when we say of Leonardo, Michelangelo and Raphael, that they bore within
    • Michelangelo or Leonardo, whose whole way of feeling was quite different.
    • instance, under an Alexander VI, a Julius II or a Leo X. If, on the
    • to come forth, — that one is Leonardo. The soul of Leonardo was
    • Now Leonardo was the first who endeavoured in a wider sense to add to
    • what distinguishes Leonardo da Vinci from Francis of Assisi, and this
    • is truth in it when we are told how Leonardo took especial pains to
    • they truly indicate how Leonardo had to seek, to discover the mysterious
    • creation of Nature's forces. For Leonardo was truly a man who sought
    • one beside Leonardo thought such a thing was possible. He also thought
    • world. Of Leonardo we can truly say, he bore his whole Age within him,
    • were then enacted in Italy. Leonardo's whole life — his artistic
    • horse, Leonardo constructed an instrument of music, from which he enticed
    • Maximum number of matches per file exceeded.
  • Title: History of Art: Lecture III: Dürer and Holbein
    Matching lines:
    • Supper” of Leonardo da Vinci in Milan. Compare it with the
    • less purely Southern. All that Raphael observed in Leonardo, in
    • right sour task for him. How different in Leonardo's case: It seems
    • perfectly natural to Leonardo to take up the study of anatomy and
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
    Matching lines:
    • plastic works of Donatello, Michelangelo, Raphael, Leonardo and
  • Title: History of Art: Lecture V: Rembrandt
    Matching lines:
    • truly as an outsider. Fundamentally speaking, even Leonardo, Michelangelo
  • Title: History of Art: Lecture VII: Representations of the Nativity
    Matching lines:
    • Leonardo da Vinci,
    • by Leonardo.
    • 46. Leonardo da Vinci. Adoration by the Three Wise
  • Title: History of Art: Lecture IX:
    Matching lines:
    • examples of Verrocchio — teacher of Leonardo and Perugino — in
    • 77. Verrocchio. Bertolomeo Colleoni. (Venice.)
    • the great artists of the Renaissance — of Leonardo, of Michelangelo,

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