Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- time when in the West, under the influence of Rome, men had
- Greece was overcome, in a spiritual sense Rome herself had been
- "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-066_St_Jerome.jpg" align=
- 66. Leonardo da Vinci: St. Jerome. (Vatican. Rome.)
- (Sistine Chapel. Vatican. Rome.)
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- he went to Rome, he bore his Florence with him, and painting and sculpting
- feeling into Rome. As an artist he achieved a kind of spiritual conquest
- over Rome, making Florence arise again in Rome.
- the new Age. It was now that he first went to Rome, and we may say:
- In Rome he mourns the loss of what he has experienced as the true
- than before, he bore his Florence with him into Rome. What was it that
- Thus Michelangelo carries with him a whole world to Rome, — carries
- with him something that could never have arisen at that time in Rome
- penetration into Florence, drove him back again to Rome. And now he
- He experienced the Rome of his time, — a time whose moral level
- so to speak, of the Savonarola protest. Rome was seized with anxiety
- had carried Florence into Rome. With Raphael once again it was different.
- to Rome. Here we come to that strange magic atmosphere whose presence
- into Rome; it flows from his creations into our hearts and minds if
- 22. St. Jerome. (Vatican. Rome.)
- moving to Rome for the first time, under all the influences which I
- 31. Pieta. (St. Peter's. Rome.)
- it is created under the feeling of his coming to Rome. A more or less
- 34. Separation of Light from Darkness. (Sistine Chapel. Rome.)
- 35. Creation of Sun, Moon and Earth. (Sistine Chapel. Rome.)
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture III: Dürer and Holbein
- 40. Raphael. Disputa. (Vatican. Rome.)
- of the Law. (Palazzo Barbarini, Rome.)
- 53. Dürer. St. Jerome in his Cell.
- Jerome himself. On him the light is also falling, but at the same
- born, if you take such pictures as his ‘St. Jerome,’ his
- more, you could compare Dürer's ‘St. Jerome’ with certain
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- ‘St. Jerome,’ or ‘Melancholia,’ for
- Christianity from the side of Rome. Until the 12th and 13th
- Middle Europe the systemmatising, formal tendency of Rome was
- height in Rome, where, we might say, man lived more in the streets
- Luther went to Rome.
- No doubt he met one or another of the great painters of Rome on the
- 26.b. Moses. Michelangelo. Rome.
- — the time of Raphael and Michelangelo in Rome.
- Title: History of Art: Lecture VII: Representations of the Nativity
- from Menologion of Basil II (Vatican. Rome. 11th Century.)
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- 12. Raphael. Disputa. (Vatican. Rome.)
- already marred by Rome; they tried to recreate Christianity themselves
- Title: History of Art: Lecture IX:
- next, the head of Zeus, which is to be seen in Rome:
- 13. Zeus of Otricoli. (Vatican. Rome.)
- statues in Rome, here I must say the imitation has become insipid, fatuous.
- 22. Boy, extracting the Thorn from his Foot. (Rome.)
- 23. Aphrodite of Cnidos. (Vatican, Rome.)
- 26. Satyr, by Praxiteles. (Capitol. Rome.)
- 33. Sophocles. (Vatican. Rome.)
- 35. Plato. (Vatican. Rome.)
- 40. Laocoön. (Vatican. Rome.)
- 41. Apollo Belvedere. (Vatican. Rome.)
- subjugated by Rome. In Rome, to begin with, there was a kind of imitation
- of the Greek Art. It was carried across to Rome, but it was soon submerged
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