Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- begin with in the West, we can find no immediate historic
- eyes of sense the things from beyond this Earth. Now Western
- Christianity found its way into the West, the Roman
- the West, in Italy, men were more of the opinion that the Saviour
- time when in the West, under the influence of Rome, men had
- conception (far more familiar in the Orient than in the West) of
- the West. Indeed, it is Giotto, above all, who in the realms of
- the West more inward. His soul wanted to live in sympathy with
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- for the most educated, this Earth, of which the Western half was still
- Title: History of Art: Lecture III: Dürer and Holbein
- centuries. Then from the West emerged another impulse, which had
- Will. But meanwhile in the West a different impulse was preparing,
- the Rhone and the Rhine. This other impulse, prepared in the West,
- West, notably in the 12th and 13th centuries, to permeate once more
- all, that which flows inward, both from the South and West, is ever
- go further West.
- strong impulses from Flanders, from the West. The Western impulses
- combined, however, with the Western impulse from Flanders.
- Title: History of Art: Lecture V: Rembrandt
- War, Rembrandt, in his North-Western corner of the land, was bringing
- 524. Allegory of the Peace of Westphalia. (Rotterdam.)
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- rank — from the highest in the land to the lowest. Moreover, the
- into Western Germany. Then consider what we have studied today —
- Title: History of Art: Lecture IX:
- 4. Reconstruction of the Western Piedemont of the Aphaia
- Now for the Parthenon western pediment:
- 11f. Drawings of the western pediment.
- 11g. Reconstruction of the western pediment.
- 12b. Calvary. (Western Frieze.)
- 15. Western Pediment. Temple of Zeus at Olympia.
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