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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- portray appear before us in an altogether unnaturalistic form,
- as you know, was before Dante's time. Such things always appear
- 35. Giotto: The Appearance in Arles. (Santa Croce, Florence.)
- painting. Quite a new inner life appears before us here. We may
- Human which appeared in the other realistic stream, came forth
- predecessor's. In Perugino a new element makes its appearance:
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- lost. Another faculty now had to appear: the power to take hold of things
- over Florence through the appearance of Savonarola. This was a protest
- the moral element. Savonarola appears; it is the protest of the moral
- as it appears to us historically.
- of that time to seek for what appears directly to external vision, and
- before, — which appears again in Raphael, transfigured, as it
- of the motif of this picture appear at a very early stage, even in Perugia,
- Title: History of Art: Lecture III: Dürer and Holbein
- It appears in the sublime forms of the Gothic. Truly, in Gothic Art
- and shade appear. When we study this connection between light and
- ‘melancholia,’ he lets a source of light appear —
- disappears, as it were, — in England. He is a realist in an
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- appears in the St. John and in the Mary-Figure, as the power that
- Title: History of Art: Lecture V: Rembrandt
- appearance to the sublime — to the typical. Rembrandt is the faithful
- appears so wonderfully in Rembrandt. Rembrandt is a unique figure; he
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- into account that that which appears larger is to the front, while all
- that which appears smaller is further back. If, however, we return to
- only appears with Brunellesco — that is to say, is the main, with
- transposed, transplanted into the picture. Space, as such, must now appear
- landscape appears, often with a mighty and overpowering grandeur, in the
- Title: History of Art: Lecture VII: Representations of the Nativity
- came to life, as you know, in the Old Christmas Plays. But the appearance
- same understanding, as the appearance of Jesus to the Shepherds according
- The Flight into Egypt appears in direct connection with the Mission of
- that underlie the appearance of the Three Wise Men. In the 18th century,
- was that “Imaginations” appeared to the Shepherds, while
- “Stars” appeared to the Three Wise Men. Such is the indication:
- And now we will take the same motif as it appears in the work of Niccola
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- appear in all domains of life, revealing how men felt when the impulses
- one of the earliest appearances of this kind. Then we find many pictures
- only the outcome of a long line of evolution. But this outcome appears
- are, we see in these pictures — appearing so characteristically
- Saints," but he conceives that they must appear worthy and dignified.
- see in him, in a primitive form, what was only afterwards able to appear
- Title: History of Art: Lecture IX:
- still appears with a certain grandeur, — With a far less grandeur
- was so overwhelmed that he even imagined the breakfast had disappeared.
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