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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- vivid ideas arose, as to how one should portray the figures that
- Moreover, we know of a remarkable controversy that arose in the
- with Giotto an entirely new artistic world-conception arose in
- spiritual vision, there arose the new element of composition. See
- it was an altogether different element that arose in their
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- the world once more. Now, however, there arose the great Roman powers,
- attitude of the figures. We might describe it thus: Here there arose
- This arose out of a belief which was still absolutely natural in that
- arose. One thing is certain: the group expresses an idea which Michelangelo
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- of the Mid-European spiritual life, there arose what we may call
- world-conception as a whole, there arose the works of Art which we
- much that arose out of this wrestling for artistic powers of
- Title: History of Art: Lecture V: Rembrandt
- Principalities, there arose what is made visible in the Art of Rubens,
- influence and Southern rulership, there arose the strong impulse to
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- importance. To the people out of whom the brothers Van Eyck arose, the
- Title: History of Art: Lecture IX:
- the ethereal universe. Out of this there arose quite instinctively (for
- works of Art arose out of the freedom of the free city of Florence,
- feeling that arose in the culture of the Free Towns or Cities. Here,
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