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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- the inner life of soul, the mighty event that was being enacted
- man's personal well being. Then suddenly, through his own
- can be experienced in the human soul, in the human being as a
- Beings gazing down from beyond the Earth into this world of human
- feels and experiences — impulses for which the human being
- all that the poor man was; wanted to feel the human being
- conception of the Jesus child. We have before us human beings,
- traditionally handed down — where Beings gaze from realms
- known as the 'School of Athens.' Human beings are placed together
- human being partakes in the impulse that is thought to proceed
- His pure spiritual Being, — still you can read in the
- what is more, rule it through human beings, not through an
- human being.
- itself but to the question: How will human beings look when they
- human beings. Though it is not yet so much so as in some later
- represent the sacred fact. The sacred legend lives on; and, being
- the human being, they were presently able to emancipate the human
- itself, seeking to penetrate into the human being. It is
- the inner being of man as it stamps itself upon his outer
- the full expressiveness of man; he tries to seize the human being
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- hand the feet of the heavenly beings. Heaven still penetrated down into
- human being might become as if transparent to him, revealing how the
- inner being works into the outer form. Yes, there is truth in this,
- were certainly created out of the very deepest impulse of his own being.
- in Leonardo is to see and feel what interests the human being of his
- with all his being.
- thus bring out with emphasis whatever in the outward features of a being
- beings — theologians, for the most part. These theologians are
- in the human sphere, without the latter being influenced out of the
- — human figures are portrayed, to represent beings standing within
- the cosmos, — Beings into whom the whole cosmos is working. They
- Beings, angelic figures between them, bring them the secrets of the
- worlds. Thus they are dreamy Beings, living within the universal nexus.
- hand, live and move and have their being over and above the individual.
- Title: History of Art: Lecture III: Dürer and Holbein
- Spirit. They always express the individual human being himself,
- spiritual being that underlies all Nature is revealed.
- unable to come forth, being overwhelmed by the other. Yet it lived
- the being to the surface. That which arises from the artistic
- being. It is as though his inner being entered into a hidden
- the elemental beings — those beings who, to begin with, manifest
- a connection between Man and the naturalistic life and being of the
- Divine and spiritual, transcending the individual human being,
- imagination with all that is stamped upon the human being by the
- beings of that time.
- being is painted here to show how he reveres the Christ. A
- Spirit. !le see three stages, as it were: the Spiritual Beings
- human being.
- saint and animal — are contrasted simply by being placed in the
- a being of more fleeting form, once more in order to portray the
- the light to this object? What says the light to this being? You
- out of the soul, creating the whole human being out of the very
- the same motive. An actual human being of the time (it is the
- Title: History of Art: Lecture V: Rembrandt
- more southern nations of Middle Europe were being massacred in this
- in his own inner life and being.
- beings see it in ordinary life? It is the very purpose of Art to reproduce
- out of an inward experience of his own being. The artist of the Fifth
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- have to some extent escaped the unhappy fate of being historians of Art
- foreground, are represented as being smaller in proportion. In Space they
- surface of the body what is there in the inner being of the soul.
- about its frontiers. What mattered to them was that human beings full,
- thorough-going human beings — should develop, regardless of the
- Southern Netherlands, the regions of Flanders. The inner being of man is
- the very fact that each individual being has his full importance, and
- human being in the landscape. Thus with all the impulses of the new age
- of free development of human beings. I might continue to say many other
- The angels here are full-grown human beings, in spite of their clerical
- and ceremonial garments — fully developed human beings —
- which we here find expressed. The Lamb is One, yet no one being is striking
- the treatment of landscape in relation to the human beings to whom it
- sees the human being — whatever presents itself to his vision
- especially notice this art — to place the human being fittingly
- picture — but, being a pious man also, he afterwards bequeathed
- Title: History of Art: Lecture VII: Representations of the Nativity
- out of the spiritual beings that are bound up with the life of Nature.
- their inner being, and looking up to the Star wherein the Spirit Who
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- themes in the whole Cosmos, as it lies before us human beings living
- being that worked to create it — the human being, Raphael himself.
- reality. We must consider man in his full being, such as he really is. In
- the Threefold being of Man. This threefold nature of man emerges
- not easily forget the personality, the human being. Not that we must
- representatives of Christianity are being crowned with roses by Mary,
- were being made external, flat and superficial. Those human beings,
- of heart and mind of the human beings themselves who in these regions
- at the same time be to create out of the inner source of being, and
- Title: History of Art: Lecture IX:
- within the visible being of man. And in his plastic art the Greek wanted
- work to bring out the apishness of Man. For if that human being were
- being in this striving towards a living conception of the Spiritual
- was well aware that the figures of his Gods were based on real Being in
- etheric human being. In the earliest pictures we shall still see a certain
- breathing organism, the forming of the chest. The human being as a whole
- represent not the dead human being — the mere physical body —
- about this figure. The body is already being differentiated into its
- of his dignity, his freedom, his individual being. In the characteristic
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