[RSArchive Icon] Rudolf Steiner Archive Home  Version 2.5.4
 [ [Table of Contents] | Search ]


[Spacing]
Searching The History of Art
Matches

You may select a new search term and repeat your search. Searches are not case sensitive, and you can use regular expressions in your queries.


Enter your search term:
by: title, keyword, or context
   


   Query type: 
    Query was: case
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • these pictures, you will see how his effort is in every case to
    • see in every case: The man who painted these pictures had really
    • in such a case artistic realism is combined with the striving to
    • visionary and in the lesser figures. In every case the Human is
    • case it was a spiritual light which shone through all their
    • case something essentially spiritual found naturalistic
    • this evening. Consider the great difference. In the former case
    • is in this case.
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • case at all. Indeed, it is only in our own time that this distinction
    • order, which is in any case a little uncertain, we take his work in
    • 27. Madonna of the Staircase. (Casa Buonarotti. Florence.)
    • for a long time. It was certainly not the case that the Pope said:
  • Title: History of Art: Lecture III: Dürer and Holbein
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • history of Art. Especially in Dürer's case — to speak of
    • for Mid-European Art. In every case these miniatures reveal a
    • right sour task for him. How different in Leonardo's case: It seems
    • case; but the idea that Dürer himself was influenced must be
    • may compare the effect of light and shade in every case as in the
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • Southern. That, indeed, is not the case. On the contrary, the very
    • This was, indeed, the case, especially at the time with which we
  • Title: History of Art: Lecture V: Rembrandt
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • In this case the former
    • be adopting a false method if we tried — as in the case of
    • He grows out of the broad foundations of the race. In his case it is far
    • case of Dürer — the weaving in the elemental play of light
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
  • Title: History of Art: Lecture VII: Representations of the Nativity
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • we are shown one of those cases where the astrological determination, as
    • case the naturalistic quality is fitting. All that goes out to meet the
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • case. It comes to expression in the remarkable course of his life, which
    • we have seen today. In every case, having distinguished the subject of
    • is such and such; it represents this or that. In Raphael's case you
    • works in the same way as of Raphael's. In Dürer's case we shall
    • case, attain the high perfection which Raphael attained, for instance.
  • Title: History of Art: Lecture IX:
    Matching lines:
    • The History of Art, with Slides. The "slides," in this case,
    • too abytractly, and we do so in this case. Goethe, if I may put it thus,
    • is felt through and through. And this must have been the case to the
    • still the case, but he knows how to treat the whole body in connection
    • or less towards a portrait likeness in each case. You will see how they



The Rudolf Steiner Archive is maintained by:
The e.Librarian: elibrarian@elib.com