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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- we come on into the 14th and 15th century, we see the longing,
- progress from the 14th to the 15th and on into the 16th century
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- century Italian Christianity witnessed the rise even among the Popes, of
- place in Florence at the beginning of the 16th century, while under
- Title: History of Art: Lecture III: Dürer and Holbein
- thirteenth century. At that time the Mid-European feeling had grown
- thirteenth century into the fifteenth, and on into the
- the 16th century or perhaps a little later. Much of the tenderness
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- manner of excesses even before the twelfth century. And while in
- from the 13th century onward a certain decline can be observed.
- of work and progress in the best souls, from the 11th century on
- century, had been preserved. All that we now bring to light
- of the 12th century, which has been found at Tegernsee in Bavaria,
- the 13th century. They are at Halberstadt.
- wood, and dates from the first third of the 13th century. None the
- the first third of the 13th century. They show an altogether
- 14th century, and see what had occurred by that time. We have a few
- 14th century we now come to a figure of St. Paul by a master known
- beginning of the 14th century. Compare this with Michelangelo's
- artist of the 15th century. (We must go according to the pictures
- an artist of the early 14th century. With the Cologne Master, and
- came to the 14th century. We now pass on into the 15th. Here, then,
- middle of the 15th century. The next is a Madonna, by the same
- figures carved in wood, at Blutenburg (end of the 15th century).
- carved in wood — end of the 13th century:
- Munich, end of the 15th century.
- sculptor who worked at the end of the 15th century.
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture V: Rembrandt
- of the nineties of last century. It was curious to see what a far-reaching
- significance, especially so for the close of the 19th century. People
- the 19th century. In all directions it had become essentially a culture on
- only in a superficial way. What, after all, did the late 19th century
- arch-representative of those who felt themselves in the 17th century so
- Gall in the 10th century, and relating how Mid-Europe was overwhelmed
- 16th century in this weaving of the light. — But Rembrandt had
- mighty personality, lighting forth in the seventeenth century.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- towards the end of the 15th century and on into the 16th.
- emerges — century after century during these epochs — what
- chance that this special development in the 15th century took place
- in the first third of the 15th century. Hubert Van Eyck died in 1426;
- of the 15th century.
- 15th century.
- about 1452 — the middle of the 15th century.
- 16th century, other elements mingle more and more with what was
- this is already in the 16th century.
- definitely of the 16th century. I spoke just now of the
- Title: History of Art: Lecture VII: Representations of the Nativity
- of these things did not decay or die out absolutely until the 18th century.
- Even as late as the 18th century people still spoke of something which
- that underlie the appearance of the Three Wise Men. In the 18th century,
- Even in the 18th century it was expressly stated in certain circles
- (15th century) The Nativity, etc. (German Woodcuts.)
- 4. The Nativity, 11th Century. (Limburg Monestary.)
- 5. The Flight into Egypt. (Evangeliar of the 12th century.
- century once more; and we now go on to Correggio.
- (Codex Egberti. Trier. 10th century.)
- from Menologion of Basil II (Vatican. Rome. 11th Century.)
- we find ourselves in the 13th century. We go on into the 15th and come
- century is Piero di Cosimo.
- old Mosaic, of the 6th century.
- (Menologium Basilius. Vatican. 11th century)
- Gate at Freiberg, second half of the 12th century:
- Fabriano, also of the 15th century.
- half of the 15th century.
- End of the 15th century:
- and early 16th century.
- Hans Grun, going on into the 16th century.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- or beginning of the 16th century.
- the 15th and beginning of the 16th century. One question cannot but
- century. True, the pictures of the period, which we shall show, give
- districts in the first half of the 15th century the spatial conception
- in the first half of the 15th century — how hard it is for that
- first half of the 15th century: Lucas Moser.
- This alter-piece was done in the first half of the 15th century. How
- the 19th century, artistic evolution was decidedly on a retrogressive
- this art. How remote, after all, is that which emerges in the 19th century
- Title: History of Art: Lecture IX:
- a man like Winckelmann, in the 18th century, strove so wonderfully to
- and Goethe, in the latter half of the 18th century, tried to express in
- the Fifth or of the end of the Sixth century
- beginning of the 5th century B.C.
- 7. Runner (middle of the 5th century
- of the 5th century and find in such a shapes a tryly high degree of
- drawings made by the Frenchman, Carrey, in the 17th century. Subsequently
- discovered by Lord Elgin in the 19th century.
- realise that in the 18th century, when Goethe and others, stimulated
- century, — let alone the 20th. For otherwise it would have been
- brings us to the 4th century
- Going on into the 4th century,
- the 2nd century.
- the last century before the birth of Christ. We come to the School of
- century. It is the work of three sculptors of the School of Rhodes.
- From the 13th century onwards, artists would educate themselves by means
- Renaissance. In Niccola Pisano in the 13th century we find a wonderfully
- until the end of the 13th century.
- 15th century, and we come to Ghiberti, the great artist who at the age of
- practically the whole period of the 15th century.
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