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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- springing from a conception of life altogether remote from our
- wanted to gain a conception of these things. And if one desired
- connected with the early Christian conceptions.
- of his colouring, with its wonderful two-dimensional conception,
- conception (far more familiar in the Orient than in the West) of
- with Giotto an entirely new artistic world-conception arose in
- conception of human history it is fully justified. I mean that
- great conceptions in which the evolution of mankind is still
- two-dimensional conception, to Giotto, in whose work we see
- new conception of human life that was already pouring from out
- conception of the Jesus child. We have before us human beings,
- a feeling and conception of the world which also finds expression
- systematic conceptions such as you see in this picture, rising
- conception of a world beyond the Earth proceeded still from the
- conception which emerges in Raphael's great picture, generally
- their conception of the single individual on Earth. But now, as
- figures are emancipated from the conception as a whole. Far more
- conception. Now it has passed over to the renewed conception of
- the several figures, how the Roman concept of power is expressed.
- immense change in the whole artistic conception.
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- the specific quality of the world-conception of that time. In our time,
- a world-conception is a collection of ideas which can, of course, be
- other hand, we consider the Christian traditions, the concepts and ideas
- the earthly element. Such was the conception — a harmony, an
- in the olden time. Yet he had a mighty impulse to that conception of
- he bore with him? It was a whole world-conception, of which we can say
- of Biblical history, we have the twilight of an ancient world-conception.
- — the conception of the Trinity, of the Last Supper, of the
- All these conceptions, lifted right out of the moral element, assumed
- when the Christian conceptions had, as it were, become objectified and
- from which we gain a more accurate conception of the composition than
- in Rome, such ideas are brought together with the fundamental concept;
- conception which we now see on the wall of the Segnatura.
- Title: History of Art: Lecture III: Dürer and Holbein
- conceptions of Nature, seeking to unite with bold intelligence
- conception of the Christian tradition coming upwards from the
- Christ. The whole conception shows how this very soul comes to
- Dürer's Holy Trinity: Father, Son and Spirit. The conception is
- truly born out of the whole spirit of the age — a conception
- mastered by that time. The conception is here worked out in
- fundamental conception of the picture is expressed in a restful
- conception of movement, — movement proceeding directly out of the
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- of the Christian world-conception. The Play concerning Anti-Christ,
- world-conception as a whole, there arose the works of Art which we
- conception with the Mid-European depth and tenderness of feeling.
- Christian world-conception, deeply united with the human soul,
- overcomes all things. The Christian world-conception had entered
- historic conception of all earthly evolution. See how Adam, down
- Cosmic conception.
- world-conception. Once more, observe the deepening of the soul's
- world-conception, was in any high degree influenced by the
- and Michelangelo. Artistically, this conception is altogether a
- Title: History of Art: Lecture V: Rembrandt
- book Rembrandt as an Educator. He found the conceptions and
- and the darkness. This artistic conception becomes so strong in Rembrandt
- in the conception of these two pictures.
- conception out of the element of light. He who aims at what is merely
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- we may regard as the fundamental frame-work of the artistic conceptions
- are not really smaller, but according to the conception prevailing, they
- the man who looks at the picture is included in the whole conception.
- religious conception which had evolved during the course of many
- form till they had so grown together with this conception as to represent
- The greatest conception
- his conception of the Last Judgment. There is a certain angular quality
- Title: History of Art: Lecture VII: Representations of the Nativity
- lecture. Here you have a beautifully naive conception of the Nativity.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- outcome of the Christian world-conception. So perfectly does it express
- soul. One of the ideas of the Christian conception of the world has
- world-conception. Let us consider it in the way Herman Grimm once spoke
- Behind the artist stand great cosmic perspectives — world-conceptions
- the background of a great world-conception. Without this background of a
- great world-conception, the Sistine Madonna is, indeed, unthinkable.
- life the concepts to express this Art are the most perfect, and all
- ideal, and we have few words at our disposal, few concepts and ideas,
- conceptions, out of which such a picture proceeded even in Raphael's time,
- here, is an absolutely true conception. The conception corresponds to a
- conceptions of how the artist should work, ideas of artistic harmony
- districts in the first half of the 15th century the spatial conception
- do so according to the measure of his own elementary conceptions. He has
- anthroposophical conception of the world. In the none too distant future,
- Title: History of Art: Lecture IX:
- vivid conception of what he intended. We are wont to conceive things
- the way of a healthy conception of existence. The latter will have to
- an outcome of the materialistic conception of life — represent,
- being in this striving towards a living conception of the Spiritual
- It is no longer possible to gain by outer vision a conception of Phidias'
- impossible for these late imitations to inspire the lofty conceptions
- Truly an ideal conception
- the age of which I tried to indicate just now that the whole conception
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