Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- concerned, the work of Cimabue emerges in such a way that to
- poor man on Earth. Every single man now becomes the main concern,
- concerned only with the gazing inward of transcendent impulses
- concerned, at an earlier and at a much later stage in his career.
- problem of the Madonna: the artists now are more concerned to
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- of Medici, who were, in truth, far more concerned with their own ambitions,
- was concerned. Julius II was an extraordinary man, inclined to every
- Title: History of Art: Lecture III: Dürer and Holbein
- it was intended to express some profound symbol. Dürer was concerned
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- of the Christian world-conception. The Play concerning Anti-Christ,
- Square of St. Peter's, but what concern had they for him, these men
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- perspective. For the South is much concerned with the ordering of things
- in the inner relationship of Space; concerned, that is to say, with
- chief concern is not with the composition, but to give an impression
- Title: History of Art: Lecture VII: Representations of the Nativity
- thus be concerned today, not in the first place with the artistic elements,
- from the Spiritual World. Less concerned with naturalistic expressions
- the “Gnostic” Revelation concerning Jesus Christ. We cannot
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- — a more special outcome of our ideas concerning the artistic
- opposite. To begin with, the artist is simply concerned to express his
- Title: History of Art: Lecture IX:
- pictures, we shall be less concerned to discuss the individual artists;
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